Unraveling the Filled Duration Illusion and its Stability in Repeated Measurements: Acoustic Stimuli and the Possible Prospect for Time in Music

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00023752%3A_____%2F22%3A43921002" target="_blank" >RIV/00023752:_____/22:43921002 - isvavai.cz</a>

Nalezeny alternativní kódy

RIV/00216208:11120/22:43925031 RIV/00216208:11310/22:10453592 RIV/00216208:11210/22:10453592

Výsledek na webu

<a href="https://online.ucpress.edu/mp/article-abstract/40/2/135/194649/Unraveling-the-Filled-Duration-Illusion-and-its?redirectedFrom=fulltext" target="_blank" >https://online.ucpress.edu/mp/article-abstract/40/2/135/194649/Unraveling-the-Filled-Duration-Illusion-and-its?redirectedFrom=fulltext</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1525/MP.2022.40.2.135" target="_blank" >10.1525/MP.2022.40.2.135</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Unraveling the Filled Duration Illusion and its Stability in Repeated Measurements: Acoustic Stimuli and the Possible Prospect for Time in Music

Popis výsledku v původním jazyce

INTERVAL TIMING PLAYS AN ESSENTIAL ROLE IN various types of behavior including perception and production of music. However, subjectively perceived intervals may substantially differ from their objective durations. One of the phenomena, the filled duration illusion (FDI), is well described in the literature; however, there are still many questions to address concerning mechanisms behind this phenomenon. To further unravel the FDI, we asked 61 healthy adults to reproduce the duration of various acoustic stimuli (from 2 to 3 seconds). We used empty intervals (marked by two short tones) and filled intervals: a continuous tone or rhythmical tone sequences in legato or staccato. We demonstrated that the reproduction of empty intervals was shorter than reproduction of all filled intervals, whereas the reproduction of rhythmic intervals was the longest. Therefore, we clearly demonstrated and distinguished both types of the FDI- the sustained sound illusion and the divided time illusion-and documented their test-retest stability in two subsequent measurements. Moreover, we confirmed the effect of tone pitch on the reproduction-higher pitch tones were judged as longer. By testing all the mentioned phenomena in repeated measurements, we demonstrated the stability of the illusions and prepared the ground for an investigation of more complex musical stimuli.

Název v anglickém jazyce

Unraveling the Filled Duration Illusion and its Stability in Repeated Measurements: Acoustic Stimuli and the Possible Prospect for Time in Music

Popis výsledku anglicky

INTERVAL TIMING PLAYS AN ESSENTIAL ROLE IN various types of behavior including perception and production of music. However, subjectively perceived intervals may substantially differ from their objective durations. One of the phenomena, the filled duration illusion (FDI), is well described in the literature; however, there are still many questions to address concerning mechanisms behind this phenomenon. To further unravel the FDI, we asked 61 healthy adults to reproduce the duration of various acoustic stimuli (from 2 to 3 seconds). We used empty intervals (marked by two short tones) and filled intervals: a continuous tone or rhythmical tone sequences in legato or staccato. We demonstrated that the reproduction of empty intervals was shorter than reproduction of all filled intervals, whereas the reproduction of rhythmic intervals was the longest. Therefore, we clearly demonstrated and distinguished both types of the FDI- the sustained sound illusion and the divided time illusion-and documented their test-retest stability in two subsequent measurements. Moreover, we confirmed the effect of tone pitch on the reproduction-higher pitch tones were judged as longer. By testing all the mentioned phenomena in repeated measurements, we demonstrated the stability of the illusions and prepared the ground for an investigation of more complex musical stimuli.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

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OECD FORD obor

50101 - Psychology (including human - machine relations)

Projekt

Výsledek vznikl pri realizaci vícero projektů. Více informací v záložce Projekty.

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)<br>I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2022

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Music Perception

ISSN

0730-7829

e-ISSN

—

Svazek periodika

40

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

US - Spojené státy americké

Počet stran výsledku

15

Strana od-do

135-149

Kód UT WoS článku

000887586800003

EID výsledku v databázi Scopus

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