Scenographic engineer Josef Svoboda and Laterna Magika as a creative laboratory under state socialism

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00057266%3A_____%2F21%3AN0000011" target="_blank" >RIV/00057266:_____/21:N0000011 - isvavai.cz</a>

Nalezeny alternativní kódy

RIV/00216208:11210/20:10422687

Výsledek na webu

<a href="https://www.tandfonline.com/doi/abs/10.1080/23322551.2020.1848211?journalCode=rdes20" target="_blank" >https://www.tandfonline.com/doi/abs/10.1080/23322551.2020.1848211?journalCode=rdes20</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1080/23322551.2020.1848211" target="_blank" >10.1080/23322551.2020.1848211</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Scenographic engineer Josef Svoboda and Laterna Magika as a creative laboratory under state socialism

Popis výsledku v původním jazyce

Josef Svoboda's career was strongly linked to the exploration of new media and technological innovation. Svoboda realized his creative visions not only in domestic and foreign dramas and operas and artistic exhibitions, but also in the framework of a project on which he collaborated since the end of the 1950s - the multimedia theatre Laterna Magika. In this text, we analyze the stage design of Josef Svoboda for Laterna Magika from several perspectives. At the most general level, we are interested in his strategy of building Laterna Magika as an open creative environment and laboratory inside a restrictive socialist culture. Scenographically, we are interested in the role of film and television in his stage design and his experimentation and innovation in lighting design and stage kinetics, leading to virtuality and immersion as well as the reformulation of the concept of the screen on the stage. For Svoboda, Laterna Magika was an experimental space in which he planned to create a theatre with a fully variable stage that broke the line between actors and spectators and created a psycho-plastic space for the viewer.

Název v anglickém jazyce

Scenographic engineer Josef Svoboda and Laterna Magika as a creative laboratory under state socialism

Popis výsledku anglicky

Josef Svoboda's career was strongly linked to the exploration of new media and technological innovation. Svoboda realized his creative visions not only in domestic and foreign dramas and operas and artistic exhibitions, but also in the framework of a project on which he collaborated since the end of the 1950s - the multimedia theatre Laterna Magika. In this text, we analyze the stage design of Josef Svoboda for Laterna Magika from several perspectives. At the most general level, we are interested in his strategy of building Laterna Magika as an open creative environment and laboratory inside a restrictive socialist culture. Scenographically, we are interested in the role of film and television in his stage design and his experimentation and innovation in lighting design and stage kinetics, leading to virtuality and immersion as well as the reformulation of the concept of the screen on the stage. For Svoboda, Laterna Magika was an experimental space in which he planned to create a theatre with a fully variable stage that broke the line between actors and spectators and created a psycho-plastic space for the viewer.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

—

Návaznosti

V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Theatre and Performance Design

ISSN

2332-2551

e-ISSN

—

Svazek periodika

6

Číslo periodika v rámci svazku

3

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

20

Strana od-do

244-263

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85099502641