Laterna Magika: 60 years later. A short story with a long history
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F18%3A10375506" target="_blank" >RIV/00216208:11210/18:10375506 - isvavai.cz</a>
Výsledek na webu
<a href="http://artstudies.bg/wp-content/uploads/2018/04/Chetenia_2017_ZaPechat_13.03.2018_small.pdf" target="_blank" >http://artstudies.bg/wp-content/uploads/2018/04/Chetenia_2017_ZaPechat_13.03.2018_small.pdf</a>
DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Laterna Magika: 60 years later. A short story with a long history
Popis výsledku v původním jazyce
Text aims the story of "Laterna magika", a multi-medial performance form which was presented by the Czechoslovak theatre makers for the first time during the EXPO 1956 in Brussels. The audience could encounter a brand new type of performance which was "not only theater and not only cinema" but a sophisticated multi-media mixture, where theatre, cinema, dance and new technologies meet in one place, within one stage design, on one stage. The productions invented and created by stage designer Josef Svoboda and theatre and movie director Alfred Radok were overwhelming and opened new ways of the use of multimedia in theatre and on stage. Author focuses not only on the initial ideas of the Laterna Magika but on later development of its principles as well. He tries to analyze shortly the possibilities and position of this "stage-multimedia" in contemporary world of performative arts.
Název v anglickém jazyce
Laterna Magika: 60 years later. A short story with a long history
Popis výsledku anglicky
Text aims the story of "Laterna magika", a multi-medial performance form which was presented by the Czechoslovak theatre makers for the first time during the EXPO 1956 in Brussels. The audience could encounter a brand new type of performance which was "not only theater and not only cinema" but a sophisticated multi-media mixture, where theatre, cinema, dance and new technologies meet in one place, within one stage design, on one stage. The productions invented and created by stage designer Josef Svoboda and theatre and movie director Alfred Radok were overwhelming and opened new ways of the use of multimedia in theatre and on stage. Author focuses not only on the initial ideas of the Laterna Magika but on later development of its principles as well. He tries to analyze shortly the possibilities and position of this "stage-multimedia" in contemporary world of performative arts.
Klasifikace
Druh
C - Kapitola v odborné knize
CEP obor
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OECD FORD obor
60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)
Návaznosti výsledku
Projekt
<a href="/cs/project/DG16P02H005" target="_blank" >DG16P02H005: Laterna magika. Historie a současnost, dokumentace, uchování a zpřístupnění</a><br>
Návaznosti
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Ostatní
Rok uplatnění
2018
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název knihy nebo sborníku
CROSSING BORDERS IN ARTS: MODERN & POSTMODERN
ISBN
978-954-8594-71-4
Počet stran výsledku
14
Strana od-do
76-89
Počet stran knihy
393
Název nakladatele
Institute of Art Studies, BAS
Místo vydání
Sofia
Kód UT WoS kapitoly
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