A Documentarian between Genres: Jiří Weiss – A Crossover Auteur at Barrandov

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00057266%3A_____%2F23%3AN0000009" target="_blank" >RIV/00057266:_____/23:N0000009 - isvavai.cz</a>

Výsledek na webu

<a href="http://dx.doi.org/10.5117/9789462989450" target="_blank" >http://dx.doi.org/10.5117/9789462989450</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5117/9789462989450" target="_blank" >10.5117/9789462989450</a>

Jazyk výsledku

angličtina

Název v původním jazyce

A Documentarian between Genres: Jiří Weiss – A Crossover Auteur at Barrandov

Popis výsledku v původním jazyce

In the postwar period, Jiří Weiss came to Barrandov as a documentary filmmaker who had experience of the interwar avant-garde and war-commissioned documentary production in exile in London. In the conditions of state-socialist cinema, his personality was important as a bearer of generational continuity, a link between creative and administrative tasks of the Barrandov Studios, proponent of socialist realism, connected to international circles, and seeking for a coproduction project, and at the same time foreshadowing some of the New Wave methods, such as casting nonactors and focusing on social issues and everyday life. His crossover authorship, bridging or merging some of the seemingly disparate aspects of postwar Czech cinema, therefore makes it possible to explain some of the paradoxes, ambivalences, and (dis)continuities of state-socialist film practice.

Název v anglickém jazyce

A Documentarian between Genres: Jiří Weiss – A Crossover Auteur at Barrandov

Popis výsledku anglicky

In the postwar period, Jiří Weiss came to Barrandov as a documentary filmmaker who had experience of the interwar avant-garde and war-commissioned documentary production in exile in London. In the conditions of state-socialist cinema, his personality was important as a bearer of generational continuity, a link between creative and administrative tasks of the Barrandov Studios, proponent of socialist realism, connected to international circles, and seeking for a coproduction project, and at the same time foreshadowing some of the New Wave methods, such as casting nonactors and focusing on social issues and everyday life. His crossover authorship, bridging or merging some of the seemingly disparate aspects of postwar Czech cinema, therefore makes it possible to explain some of the paradoxes, ambivalences, and (dis)continuities of state-socialist film practice.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Hollywood of Eastern Europe. The Barrandov Studios

ISBN

978-94-6298-945-0

Počet stran výsledku

31

Strana od-do

219-250

Počet stran knihy

822

Název nakladatele

Amsterdam University Press

Místo vydání

Amsterdam

Kód UT WoS kapitoly

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