Zdeněk Fibich as Viewed by Leoš Janáček

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00094862%3A_____%2F10%3A%230001177" target="_blank" >RIV/00094862:_____/10:#0001177 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Zdeněk Fibich as Viewed by Leoš Janáček

Popis výsledku v původním jazyce

Studying of the sources on Fibich in Janáček?s estate proved Janáček took great interest in the work of his contemporary . Janáček owned a copy of the undated score of The Bride of Messina and two librettos from 1884 may come from the period before 1886.Besides, Janáček must also have known the opera Hedy, which he reviewed in 1897, and the opera Šárka, whose analysis he published two years later in 1899 in the magazine Hlídka. He might have used his own copy of Hedy?s short score, where he criticallycommented on the opera?s dramaturgy. The year 1898 witnessed Janáček?s interest in the symphonic poem Othello, whose score and orchestral parts as well as stage-rights he buys from F. A. Urbánek. Fibich?s work interested Janáček but did not instigate him. In his articles Janáček considers Fibich an ingenious composer, praises his plentiful topics and his keys. On the other hand, later on he shows him as a composer of dull tones with a lack of rhythmic wit.

Název v anglickém jazyce

Zdeněk Fibich as Viewed by Leoš Janáček

Popis výsledku anglicky

Studying of the sources on Fibich in Janáček?s estate proved Janáček took great interest in the work of his contemporary . Janáček owned a copy of the undated score of The Bride of Messina and two librettos from 1884 may come from the period before 1886.Besides, Janáček must also have known the opera Hedy, which he reviewed in 1897, and the opera Šárka, whose analysis he published two years later in 1899 in the magazine Hlídka. He might have used his own copy of Hedy?s short score, where he criticallycommented on the opera?s dramaturgy. The year 1898 witnessed Janáček?s interest in the symphonic poem Othello, whose score and orchestral parts as well as stage-rights he buys from F. A. Urbánek. Fibich?s work interested Janáček but did not instigate him. In his articles Janáček considers Fibich an ingenious composer, praises his plentiful topics and his keys. On the other hand, later on he shows him as a composer of dull tones with a lack of rhythmic wit.

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2010

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Musicologica Olomucensia

ISSN

1212-1193

e-ISSN

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Svazek periodika

2010

Číslo periodika v rámci svazku

12

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

8

Strana od-do

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Kód UT WoS článku

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EID výsledku v databázi Scopus

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