Archive of costume designer Inez Tuschnerová.
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00094862%3A_____%2F23%3AN0000142" target="_blank" >RIV/00094862:_____/23:N0000142 - isvavai.cz</a>
Výsledek na webu
<a href="https://digilib.phil.muni.cz/sites/default/files/pdf/TY2023-1-11.pdf" target="_blank" >https://digilib.phil.muni.cz/sites/default/files/pdf/TY2023-1-11.pdf</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.5817/TY2023-1-11" target="_blank" >10.5817/TY2023-1-11</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Archive of costume designer Inez Tuschnerová.
Popis výsledku v původním jazyce
The strong connection of Inez Tuschnerová (1932–2015) – the phenomenon of Czech stage and costume design and inventor of nonwoven Art Protis tapestries – with the theatre art started during her studies at the School of the Applied Arts in Brno. From her childhood in Brno she was in touch with Parisian fashion through her aunt who would bring catalogues from Paris to her niece. Tuschnerová, born to a well off family and raised in the extraordinary fashion of Czechoslovakian haute couture of the 1930s and 1940s, lost her interest in social-realistic uniformity that came to be the state-promoted style after the communistic putsch in 1948 which radically limited all industries, fashion business included. It was the uniformity and loss of the quality in fashion related to the slump of textile which led her to focus closely on costume design.
Název v anglickém jazyce
Archive of costume designer Inez Tuschnerová.
Popis výsledku anglicky
The strong connection of Inez Tuschnerová (1932–2015) – the phenomenon of Czech stage and costume design and inventor of nonwoven Art Protis tapestries – with the theatre art started during her studies at the School of the Applied Arts in Brno. From her childhood in Brno she was in touch with Parisian fashion through her aunt who would bring catalogues from Paris to her niece. Tuschnerová, born to a well off family and raised in the extraordinary fashion of Czechoslovakian haute couture of the 1930s and 1940s, lost her interest in social-realistic uniformity that came to be the state-promoted style after the communistic putsch in 1948 which radically limited all industries, fashion business included. It was the uniformity and loss of the quality in fashion related to the slump of textile which led her to focus closely on costume design.
Klasifikace
Druh
J<sub>SC</sub> - Článek v periodiku v databázi SCOPUS
CEP obor
—
OECD FORD obor
60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)
Návaznosti výsledku
Projekt
—
Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2023
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Theatralia
ISSN
2336-4548
e-ISSN
1803-845X
Svazek periodika
26
Číslo periodika v rámci svazku
1
Stát vydavatele periodika
CZ - Česká republika
Počet stran výsledku
14
Strana od-do
138-151
Kód UT WoS článku
—
EID výsledku v databázi Scopus
2-s2.0-85162876979