The Work of Karl Kohaut in the Context of Central European Collections.

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00094943%3A_____%2F19%3AN0000012" target="_blank" >RIV/00094943:_____/19:N0000012 - isvavai.cz</a>

Výsledek na webu

<a href="http://cejsh.icm.edu.pl/cejsh/element/bwmeta1.element.74912e4c-a03f-4da4-ae7d-4a5a5ac429c7" target="_blank" >http://cejsh.icm.edu.pl/cejsh/element/bwmeta1.element.74912e4c-a03f-4da4-ae7d-4a5a5ac429c7</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

The Work of Karl Kohaut in the Context of Central European Collections.

Popis výsledku v původním jazyce

Karl Kohaut is mainly known as one of the last lutenists and composers for this instrument. New discoveries of his musical career which was closely related to Austrian Imperial court as well as to prince Wenzl Anton von Kaunitz-Rietberg permit to reevaluate also his muscial output, which ranges from large vocal and instrumental works to chamber and solo instrumental pieces, including today best known lute concertos and chamber music with lute obligato. The most numerous and widespread Kohaut’s works are nevertheless his chamber and orchestral works for strings à 3 and à 4, including divertimentos, sonatas, partitas and sinfonias. Investigating the dissemination of Karl Kohaut’s musical output during his lifetime, as an insight to the ways of diffusion of works of Central-European musicians in 18th century, shows also the notoriety of Kohaut as composer, that merits to be rediscovered as well today.

Název v anglickém jazyce

The Work of Karl Kohaut in the Context of Central European Collections.

Popis výsledku anglicky

Karl Kohaut is mainly known as one of the last lutenists and composers for this instrument. New discoveries of his musical career which was closely related to Austrian Imperial court as well as to prince Wenzl Anton von Kaunitz-Rietberg permit to reevaluate also his muscial output, which ranges from large vocal and instrumental works to chamber and solo instrumental pieces, including today best known lute concertos and chamber music with lute obligato. The most numerous and widespread Kohaut’s works are nevertheless his chamber and orchestral works for strings à 3 and à 4, including divertimentos, sonatas, partitas and sinfonias. Investigating the dissemination of Karl Kohaut’s musical output during his lifetime, as an insight to the ways of diffusion of works of Central-European musicians in 18th century, shows also the notoriety of Kohaut as composer, that merits to be rediscovered as well today.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Hudební věda

ISSN

0018-7003

e-ISSN

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Svazek periodika

LVI

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

43

Strana od-do

122-164

Kód UT WoS článku

000493569800001

EID výsledku v databázi Scopus

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