From a Comedy to an opéra-comique: The Clandestine Marriage (1765) by Colman and Garrick and Its Adaptations in 18th-Century Musical Theatre

Kód výsledku v IS VaVaI

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Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

From a Comedy to an opéra-comique: The Clandestine Marriage (1765) by Colman and Garrick and Its Adaptations in 18th-Century Musical Theatre

Popis výsledku v původním jazyce

A comedy the Clandestin Marriage (G. Colman, D. Garrick, premiere 20 February, 1766, London) aroused almost immediately interest in several librettists and composers in the second half of the 18th century: Sophie ou le mariage caché (3-act opera-comique, J. Kohaut music, M-J. Riccoboni and T. Biancolelli text, premiere 4 June 1768, Paris); Le Mariage clandestin (1-act opéra-comique, F. Devienne music, J.-A. Vicomte de Ségur, text, premiere 11 November, 1790, Paris); Il Matrimonio segreto (2-act melodramma giocoso, D. Cimarosa, music, G. Bertati, text, premiere 7 February 1792, Vienna). The paper is a comparative analysis of these works, with regard to their connections to the original comedy and to their dramaturgy, in the context of their reception at the time.

Název v anglickém jazyce

From a Comedy to an opéra-comique: The Clandestine Marriage (1765) by Colman and Garrick and Its Adaptations in 18th-Century Musical Theatre

Popis výsledku anglicky

A comedy the Clandestin Marriage (G. Colman, D. Garrick, premiere 20 February, 1766, London) aroused almost immediately interest in several librettists and composers in the second half of the 18th century: Sophie ou le mariage caché (3-act opera-comique, J. Kohaut music, M-J. Riccoboni and T. Biancolelli text, premiere 4 June 1768, Paris); Le Mariage clandestin (1-act opéra-comique, F. Devienne music, J.-A. Vicomte de Ségur, text, premiere 11 November, 1790, Paris); Il Matrimonio segreto (2-act melodramma giocoso, D. Cimarosa, music, G. Bertati, text, premiere 7 February 1792, Vienna). The paper is a comparative analysis of these works, with regard to their connections to the original comedy and to their dramaturgy, in the context of their reception at the time.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Singing Speech and Speaking Melodies. Minor Forms of Musical Theatre in the 18th and 19th Century

ISBN

978-2-503-59543-6

Počet stran výsledku

27

Strana od-do

355–381

Počet stran knihy

562

Název nakladatele

Brepols

Místo vydání

Turnhout

Kód UT WoS kapitoly

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