Promoting Smetana's Bartered Bride (Prodaná nevěsta) in Paris

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00023272%3A_____%2F21%3A10135474" target="_blank" >RIV/00023272:_____/21:10135474 - isvavai.cz</a>

Výsledek na webu

<a href="https://publikace.nm.cz/en/periodicals/musicalia-journal-of-the-czech-museum-of-music-casopis-ceskeho-muzea-hudby" target="_blank" >https://publikace.nm.cz/en/periodicals/musicalia-journal-of-the-czech-museum-of-music-casopis-ceskeho-muzea-hudby</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.37520/muscz.2021.003" target="_blank" >10.37520/muscz.2021.003</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Promoting Smetana's Bartered Bride (Prodaná nevěsta) in Paris

Popis výsledku v původním jazyce

The Bartered Bride had to take a thorny path to reach the stage in Paris. Sixty years passed between the first attempts while Smetana was still living and the premiere at the Opéra-Comique. There were many people from the spheres of culture and politics involved in promoting the performing of The Bartered Bride in Paris, the most important centre of opera in those days. Foremost among them was Princess Pauline von Metternich, the French baritone Victor Maurel who held the first fragmentary performance of the opera in 1897 in his salon with soloists from the Opéra-Comique, the director of the National Theatre František A. Šubert, the French conductor Charles Lamoureux, the physician and translator Raoul Blondel, the violinist Jan Kubelík, the theatre director Gabriel Astruc, and the wife of the Czechoslovak ambassador in Paris Pavla Osuská. However, the Paris premiere of The Bartered Bride in 1928 did not earn the opera a more permanent place at that city&apos;s theatres.

Název v anglickém jazyce

Promoting Smetana's Bartered Bride (Prodaná nevěsta) in Paris

Popis výsledku anglicky

The Bartered Bride had to take a thorny path to reach the stage in Paris. Sixty years passed between the first attempts while Smetana was still living and the premiere at the Opéra-Comique. There were many people from the spheres of culture and politics involved in promoting the performing of The Bartered Bride in Paris, the most important centre of opera in those days. Foremost among them was Princess Pauline von Metternich, the French baritone Victor Maurel who held the first fragmentary performance of the opera in 1897 in his salon with soloists from the Opéra-Comique, the director of the National Theatre František A. Šubert, the French conductor Charles Lamoureux, the physician and translator Raoul Blondel, the violinist Jan Kubelík, the theatre director Gabriel Astruc, and the wife of the Czechoslovak ambassador in Paris Pavla Osuská. However, the Paris premiere of The Bartered Bride in 1928 did not earn the opera a more permanent place at that city&apos;s theatres.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Musicalia

ISSN

1803-7828

e-ISSN

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Svazek periodika

13

Číslo periodika v rámci svazku

1-2

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

19

Strana od-do

79-97

Kód UT WoS článku

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EID výsledku v databázi Scopus

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