Places and sights that have vanished in the artworks of the Italian Arte Povera movement

Kód výsledku v IS VaVaI

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Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Places and sights that have vanished in the artworks of the Italian Arte Povera movement

Popis výsledku v původním jazyce

The Italian artistic movement Arte povera / Poor Art was born in the '60s with the atmosphere of the global cultural protest. In November 1967 the theorist Germano Celant published the Manifesto of the movement, "Arte Povera. Notes for a Guerrilla war" .Arte Povera was the real protagonist of a general artistic renewal and its force was the different "attitude" towards life in a cathartic desire to recover the specific cultural origins in a social transformations period. The common "sensibility" of "poor" artists brought them to take distances both from international tendencies as Informal and Pop Art. On the other hand this "sensibility" induced the artists to react against the excesses of the industrial development in the second post war period witha return to the employment of natural materials reminding to a pre- industrial and agricultural Italian civilization which was vanishing. Also the definition Arte Povera called into question the contradictions in Italy, a nation whose pu

Název v anglickém jazyce

Places and sights that have vanished in the artworks of the Italian Arte Povera movement

Popis výsledku anglicky

The Italian artistic movement Arte povera / Poor Art was born in the '60s with the atmosphere of the global cultural protest. In November 1967 the theorist Germano Celant published the Manifesto of the movement, "Arte Povera. Notes for a Guerrilla war" .Arte Povera was the real protagonist of a general artistic renewal and its force was the different "attitude" towards life in a cathartic desire to recover the specific cultural origins in a social transformations period. The common "sensibility" of "poor" artists brought them to take distances both from international tendencies as Informal and Pop Art. On the other hand this "sensibility" induced the artists to react against the excesses of the industrial development in the second post war period witha return to the employment of natural materials reminding to a pre- industrial and agricultural Italian civilization which was vanishing. Also the definition Arte Povera called into question the contradictions in Italy, a nation whose pu

Druh

D - Stať ve sborníku

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2014

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název statě ve sborníku

Where life once used to be - The vanished places and sights. Contributions from 4th international scientific conference of doctoral candidates

ISBN

978-80-7464-643-0

ISSN

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e-ISSN

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Počet stran výsledku

8

Strana od-do

37-45

Název nakladatele

Ostravská univerzita

Místo vydání

Ostrava

Místo konání akce

Univerzita Ostravy

Datum konání akce

14. 6. 2013

Typ akce podle státní příslušnosti

EUR - Evropská akce

Kód UT WoS článku

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