The Poetics of Mind and Matter : Some Remarks on Ancient Images and Imagination

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F15%3A10312718" target="_blank" >RIV/00216208:11210/15:10312718 - isvavai.cz</a>

Nalezeny alternativní kódy

RIV/67985955:_____/15:00451824

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

The Poetics of Mind and Matter : Some Remarks on Ancient Images and Imagination

Popis výsledku v původním jazyce

Discussing two recent monographs (Stijn Bussels, The Animated Image: Roman Theory on Naturalism, Vividness and Divine Power, and Anne Sheppard, The Poetics of Phantasia: Imagination in Ancient Aesthetics), the review essay develops some salient points made by both authors, especially regarding the relation of images, material and mental alike, to the power and activity of imagination. It suggests that ancient authors tend to connect the much-discussed issue of the animated images to precisely this activity, which typically operates on the borderlines between the sensible world and its intellectual reflection. The latter need not acquire the shape of a theory: it can as well, perhaps better, translate back into the imaginative activity of the arts themselves. To show in more detail how this imaginative process works, the essay choses one text that speaks about painting, and another that treats sculpture. In the first case (which elaborates upon Bussels' book), the focus is on Pliny's Hi

Název v anglickém jazyce

The Poetics of Mind and Matter : Some Remarks on Ancient Images and Imagination

Popis výsledku anglicky

Discussing two recent monographs (Stijn Bussels, The Animated Image: Roman Theory on Naturalism, Vividness and Divine Power, and Anne Sheppard, The Poetics of Phantasia: Imagination in Ancient Aesthetics), the review essay develops some salient points made by both authors, especially regarding the relation of images, material and mental alike, to the power and activity of imagination. It suggests that ancient authors tend to connect the much-discussed issue of the animated images to precisely this activity, which typically operates on the borderlines between the sensible world and its intellectual reflection. The latter need not acquire the shape of a theory: it can as well, perhaps better, translate back into the imaginative activity of the arts themselves. To show in more detail how this imaginative process works, the essay choses one text that speaks about painting, and another that treats sculpture. In the first case (which elaborates upon Bussels' book), the focus is on Pliny's Hi

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AA - Filosofie a náboženství

OECD FORD obor

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Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2015

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Eirene

ISSN

0046-1628

e-ISSN

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Svazek periodika

51

Číslo periodika v rámci svazku

Neuveden

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

32

Strana od-do

303-334

Kód UT WoS článku

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EID výsledku v databázi Scopus

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