New materials on Francysk Skaryna's activities in Prague (1517-1519)

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F15%3A10314372" target="_blank" >RIV/00216208:11210/15:10314372 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

ruština

Název v původním jazyce

Novyje svedenija o dejatelnosti Franciska Skoriny v Prage (1517 - 1519)

Popis výsledku v původním jazyce

The article presents atmosphere of book culture in Prague during Francisk Skorina local activity (1517-1519). The heritage of incunabula printers in Prague was modest. Observing simple late gothic typography of Prague incunabula without different type sizes or type cuts, lacking in marginal notes, inscriptions, titles or initials we assume that the rise of readers of lower and middle bourgeoisie was slower and delayed compared to foreign countries. The analysis of Utraquist and Hebrew book-print implicates that there was active rental print-shop in Prague which Skorina might have used. The important finding is that to the Prague enviroment, from the editorial and book-print point of view rigid enviroment, Skorina came equipped with the knowledge of theforeign typography and that the compositor of the Russian Bible was able to use the whole visual apparatus known in foreign countries. The analysis of the Jagellonian book culture also proved, that the illustrations cycle might have been

Název v anglickém jazyce

New materials on Francysk Skaryna's activities in Prague (1517-1519)

Popis výsledku anglicky

The article presents atmosphere of book culture in Prague during Francisk Skorina local activity (1517-1519). The heritage of incunabula printers in Prague was modest. Observing simple late gothic typography of Prague incunabula without different type sizes or type cuts, lacking in marginal notes, inscriptions, titles or initials we assume that the rise of readers of lower and middle bourgeoisie was slower and delayed compared to foreign countries. The analysis of Utraquist and Hebrew book-print implicates that there was active rental print-shop in Prague which Skorina might have used. The important finding is that to the Prague enviroment, from the editorial and book-print point of view rigid enviroment, Skorina came equipped with the knowledge of theforeign typography and that the compositor of the Russian Bible was able to use the whole visual apparatus known in foreign countries. The analysis of the Jagellonian book culture also proved, that the illustrations cycle might have been

Druh

O - Ostatní výsledky

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

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Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2015

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů