Dvořák's overture to the first version of opera Král a uhlíř and its place in the concert overtures of the composer

Kód výsledku v IS VaVaI

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Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Dvořák's overture to the first version of opera Král a uhlíř and its place in the concert overtures of the composer

Popis výsledku v původním jazyce

This paper examines the dramatic and especially concert overtures of Antonín Dvořák. It focuses on the genesis of Dvořák's Ouverture F dur [B 21a], which is the only part of the first version of the opera Král a uhlíř (King and Charcoal Burner) that "survived." This overture, moreover, was transformed by Dvořák into an independent concert overture, which will be illustrated on the basis of sources and literature. Therefore, it is necessary to put this now unknown overture into the context of the composer's program overtures; this context is not yet complete, and thus our imagination of Dvořák's evolution in this genre cannot be complete either. For that reason the Ouverture F dur [B 21a] will be placed where it belongs: between the Tragická ouvertura (Tragic overture) [B 16a] (which was, similarly to the Ouverture F dur [B 21a], originally a dramatic overture to an unperformed work - the opera Alfred [B 16]) and the trilogy of concert overtures entitled Příroda, život a láska (Nature, Life and Love), Op. 91-93 (In Nature's Realm, Op. 91 [B 168], Carnival, Op. 92 [B 169], Othello, Op. 93 [B 174]), masterpieces of Dvořák's compositions in this genre of concert overtures.

Název v anglickém jazyce

Dvořák's overture to the first version of opera Král a uhlíř and its place in the concert overtures of the composer

Popis výsledku anglicky

This paper examines the dramatic and especially concert overtures of Antonín Dvořák. It focuses on the genesis of Dvořák's Ouverture F dur [B 21a], which is the only part of the first version of the opera Král a uhlíř (King and Charcoal Burner) that "survived." This overture, moreover, was transformed by Dvořák into an independent concert overture, which will be illustrated on the basis of sources and literature. Therefore, it is necessary to put this now unknown overture into the context of the composer's program overtures; this context is not yet complete, and thus our imagination of Dvořák's evolution in this genre cannot be complete either. For that reason the Ouverture F dur [B 21a] will be placed where it belongs: between the Tragická ouvertura (Tragic overture) [B 16a] (which was, similarly to the Ouverture F dur [B 21a], originally a dramatic overture to an unperformed work - the opera Alfred [B 16]) and the trilogy of concert overtures entitled Příroda, život a láska (Nature, Life and Love), Op. 91-93 (In Nature's Realm, Op. 91 [B 168], Carnival, Op. 92 [B 169], Othello, Op. 93 [B 174]), masterpieces of Dvořák's compositions in this genre of concert overtures.

Druh

O - Ostatní výsledky

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2016

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů