Post-socialist producer: The production culture of a small-nation media industry

Kód výsledku v IS VaVaI

RIV/00216208:11210/18:10384557 - isvavai.cz

Výsledek na webu

https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=_3Q.fvVf43

DOI - Digital Object Identifier

10.1177/1749602018763546

Jazyk výsledku

angličtina

Název v původním jazyce

Post-socialist producer: The production culture of a small-nation media industry

Popis výsledku v původním jazyce

This article focuses on a profession of key importance for understanding today's screen industries in Central-Eastern Europe: the independent producer. Using the approach of critical production studies, the article focuses on producers' 'reflexivity' to reveal how their professional identity is being constructed and how they are positioning themselves within the broader ecology of the media industry. By analysing a set of semi-structured interviews with Czech producers of all kinds, this article identifies five recurrent tropes related to their 'self-conceptions'. The tropes demonstrate how the producers perform their identities differently from their UK or US counterparts: as largely disempowered, dependent on public support and on the powerful public service broadcaster, desperately looking for more stability, autonomy and recognition.

Název v anglickém jazyce

Post-socialist producer: The production culture of a small-nation media industry

Popis výsledku anglicky

This article focuses on a profession of key importance for understanding today's screen industries in Central-Eastern Europe: the independent producer. Using the approach of critical production studies, the article focuses on producers' 'reflexivity' to reveal how their professional identity is being constructed and how they are positioning themselves within the broader ecology of the media industry. By analysing a set of semi-structured interviews with Czech producers of all kinds, this article identifies five recurrent tropes related to their 'self-conceptions'. The tropes demonstrate how the producers perform their identities differently from their UK or US counterparts: as largely disempowered, dependent on public support and on the powerful public service broadcaster, desperately looking for more stability, autonomy and recognition.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

Výsledek vznikl pri realizaci vícero projektů. Více informací v záložce Projekty.

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2018

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Critical Studies in Television

ISSN

1749-6020

e-ISSN

—

Svazek periodika

13

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

20

Strana od-do

207-226

Kód UT WoS článku

000432058800006

EID výsledku v databázi Scopus

2-s2.0-85046785167