Breaking through the East-European Ceiling: Minority Co-production and the New Symbolic Economy of Small-Market Cinemas

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F18%3A10387636" target="_blank" >RIV/00216208:11210/18:10387636 - isvavai.cz</a>

Výsledek na webu

<a href="https://link.springer.com/chapter/10.1007/978-3-319-97157-5_9#citeas" target="_blank" >https://link.springer.com/chapter/10.1007/978-3-319-97157-5_9#citeas</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1007/978-3-319-97157-5_9" target="_blank" >10.1007/978-3-319-97157-5_9</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Breaking through the East-European Ceiling: Minority Co-production and the New Symbolic Economy of Small-Market Cinemas

Popis výsledku v původním jazyce

This chapter combines questions about the structural position that minority co-production occupies within the Czech screen industry ecology and about local producers as its key agency. It starts with a picture of minority co-production vis-a-vis other international &quot;production technologies&quot; and with reconstructing producers&apos; cautionary discourse on majority co-production. After providing basic structural industry and policy analysis, it switches to day-to-day collaborative processes as seen by the local independent producers, focusing on their strategic thinking and lived realities. It asks about the role of knowledge transfer and symbolic capital accumulation on one hand, and about the new power hierarchies and barriers emerging from such transnational production contexts on the other.

Název v anglickém jazyce

Breaking through the East-European Ceiling: Minority Co-production and the New Symbolic Economy of Small-Market Cinemas

Popis výsledku anglicky

This chapter combines questions about the structural position that minority co-production occupies within the Czech screen industry ecology and about local producers as its key agency. It starts with a picture of minority co-production vis-a-vis other international &quot;production technologies&quot; and with reconstructing producers&apos; cautionary discourse on majority co-production. After providing basic structural industry and policy analysis, it switches to day-to-day collaborative processes as seen by the local independent producers, focusing on their strategic thinking and lived realities. It asks about the role of knowledge transfer and symbolic capital accumulation on one hand, and about the new power hierarchies and barriers emerging from such transnational production contexts on the other.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

Výsledek vznikl pri realizaci vícero projektů. Více informací v záložce Projekty.

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)<br>I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2018

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

European Film and Television Co-production: Policy and Practice

ISBN

978-3-319-97156-8

Počet stran výsledku

21

Strana od-do

153-173

Počet stran knihy

365

Název nakladatele

Palgrave Macmillan

Místo vydání

London

Kód UT WoS kapitoly

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