Empowering the minority co-producer through european financial co-productions: The case of dfi international

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F20%3A10467263" target="_blank" >RIV/00216208:11210/20:10467263 - isvavai.cz</a>

Výsledek na webu

<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=ZuNg4K7upH" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=ZuNg4K7upH</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1386/jsca_00020_1" target="_blank" >10.1386/jsca_00020_1</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Empowering the minority co-producer through european financial co-productions: The case of dfi international

Popis výsledku v původním jazyce

The article introduces the notion of the European financial co-production, characterized by the mandatory cultural value of the script and empowerment of the minority co-producer through risk-sharing in financing. Eurimages, the Council of Europe&apos;s film fund, inaugurated the first policies promoting European financial co-productions more than two decades ago by introducing the European Convention on Cinematographic Co-production. Many European film funds have followed the same policies on the national level, but the Danish Film Institute has been by far the most innovative. This article explores in more detail the DFI&apos;s internationalization policy actions, particularly its minority co-production scheme, which democratized the practice of European co-production that traditionally had been the sole purview of a narrow circle of high-profile European producers. The shift enabled young Danish producers to engage in minority co-productions, popularizing co-production as a model among Danish producers of all calibres and triggering a dynamic knowledge transfer between co-producers.

Název v anglickém jazyce

Empowering the minority co-producer through european financial co-productions: The case of dfi international

Popis výsledku anglicky

The article introduces the notion of the European financial co-production, characterized by the mandatory cultural value of the script and empowerment of the minority co-producer through risk-sharing in financing. Eurimages, the Council of Europe&apos;s film fund, inaugurated the first policies promoting European financial co-productions more than two decades ago by introducing the European Convention on Cinematographic Co-production. Many European film funds have followed the same policies on the national level, but the Danish Film Institute has been by far the most innovative. This article explores in more detail the DFI&apos;s internationalization policy actions, particularly its minority co-production scheme, which democratized the practice of European co-production that traditionally had been the sole purview of a narrow circle of high-profile European producers. The shift enabled young Danish producers to engage in minority co-productions, popularizing co-production as a model among Danish producers of all calibres and triggering a dynamic knowledge transfer between co-producers.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

<a href="/cs/project/EF16_019%2F0000734" target="_blank" >EF16_019/0000734: Kreativita a adaptabilita jako předpoklad úspěchu Evropy v propojeném světě</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2020

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Journal of Scandinavian Cinema

ISSN

2042-7891

e-ISSN

2042-7905

Svazek periodika

10

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

17

Strana od-do

151-167

Kód UT WoS článku

000566763000006

EID výsledku v databázi Scopus

2-s2.0-85093875874