Czech Experimental Stage Laterna Magica during the Time of Normalisation: The Case of Clutural Dislocation and Defense

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F18%3A10391651" target="_blank" >RIV/00216208:11210/18:10391651 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Czech Experimental Stage Laterna Magica during the Time of Normalisation: The Case of Clutural Dislocation and Defense

Popis výsledku v původním jazyce

The theoretical discussion of strange places will use as specific examples performances for the official, state-subsidized Laterna Magika Theater, presented for the first time at EXPO 1958. In addition to being an acclaimed multimedia performance, a unique synthesis of stage acting, ballet, mime and cinema, a space for various artistic, technical and technological experiments, it was a site for a particular cultural exile within socialist Czechoslovakia. From the 1970s on, the theater hired a number of progressive artists who were not allowed to pursue their craft or who were blacklisted altogether (directors Alfréd Radok and Evald Schorm, cinematographer Jaroslav Kučera, musician Michael Kocáb, artists Eva and Jan Švankmajer). While these artists were not allowed to focus on their own art, they were allowed to work within Laterna Magika to create performances that represented socialist Czechoslovakia with tourists or abroad, and showcased the country&apos;s progressive leanings and high-quality art.

Název v anglickém jazyce

Czech Experimental Stage Laterna Magica during the Time of Normalisation: The Case of Clutural Dislocation and Defense

Popis výsledku anglicky

The theoretical discussion of strange places will use as specific examples performances for the official, state-subsidized Laterna Magika Theater, presented for the first time at EXPO 1958. In addition to being an acclaimed multimedia performance, a unique synthesis of stage acting, ballet, mime and cinema, a space for various artistic, technical and technological experiments, it was a site for a particular cultural exile within socialist Czechoslovakia. From the 1970s on, the theater hired a number of progressive artists who were not allowed to pursue their craft or who were blacklisted altogether (directors Alfréd Radok and Evald Schorm, cinematographer Jaroslav Kučera, musician Michael Kocáb, artists Eva and Jan Švankmajer). While these artists were not allowed to focus on their own art, they were allowed to work within Laterna Magika to create performances that represented socialist Czechoslovakia with tourists or abroad, and showcased the country&apos;s progressive leanings and high-quality art.

Druh

O - Ostatní výsledky

CEP obor

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OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

<a href="/cs/project/EF16_019%2F0000734" target="_blank" >EF16_019/0000734: Kreativita a adaptabilita jako předpoklad úspěchu Evropy v propojeném světě</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)<br>O - Projekt operacniho programu

Rok uplatnění

2018

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů