Commemoration, ambivalent attachments and catharsis: David Ireland's Cyprus Avenue at the Abbey Theatre in 2016
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F20%3A10418212" target="_blank" >RIV/00216208:11210/20:10418212 - isvavai.cz</a>
Výsledek na webu
<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=tWXzFpK8LZ" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=tWXzFpK8LZ</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.1386/scene_00025_1" target="_blank" >10.1386/scene_00025_1</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Commemoration, ambivalent attachments and catharsis: David Ireland's Cyprus Avenue at the Abbey Theatre in 2016
Popis výsledku v původním jazyce
This article analyses David Ireland's 2016 play, Cyprus Avenue, in which Eric, a middle-aged Ulster Unionist, becomes convinced that his infant granddaughter is Gerry Adams. Ireland is a Belfast-born actor and playwright whose works - Can't Forget about You (2013) and Ulster American (2018) - have recently generated critical acclaim and debate. Cyprus Avenue, directed by Vicky Featherstone, opened in February at the Abbey Theatre Dublin as part of the theatre's 1916 commemorative programme, before transferring to the Royal Court. With attention to the nuances of these production conditions, the ways in which Ireland's play unravels a crisis of northern Irish identity in a post-Agreement context in relation to temporality and gender are explored. Particular attention is focused on how ontological crisis is presented through dislocated, non-linear experiences of time that are enacted within a scenographically crafted space.
Název v anglickém jazyce
Commemoration, ambivalent attachments and catharsis: David Ireland's Cyprus Avenue at the Abbey Theatre in 2016
Popis výsledku anglicky
This article analyses David Ireland's 2016 play, Cyprus Avenue, in which Eric, a middle-aged Ulster Unionist, becomes convinced that his infant granddaughter is Gerry Adams. Ireland is a Belfast-born actor and playwright whose works - Can't Forget about You (2013) and Ulster American (2018) - have recently generated critical acclaim and debate. Cyprus Avenue, directed by Vicky Featherstone, opened in February at the Abbey Theatre Dublin as part of the theatre's 1916 commemorative programme, before transferring to the Royal Court. With attention to the nuances of these production conditions, the ways in which Ireland's play unravels a crisis of northern Irish identity in a post-Agreement context in relation to temporality and gender are explored. Particular attention is focused on how ontological crisis is presented through dislocated, non-linear experiences of time that are enacted within a scenographically crafted space.
Klasifikace
Druh
J<sub>ost</sub> - Ostatní články v recenzovaných periodicích
CEP obor
—
OECD FORD obor
60205 - Literary theory
Návaznosti výsledku
Projekt
<a href="/cs/project/EF16_019%2F0000734" target="_blank" >EF16_019/0000734: Kreativita a adaptabilita jako předpoklad úspěchu Evropy v propojeném světě</a><br>
Návaznosti
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Ostatní
Rok uplatnění
2020
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Scene
ISSN
2044-3714
e-ISSN
—
Svazek periodika
8
Číslo periodika v rámci svazku
1,2
Stát vydavatele periodika
GB - Spojené království Velké Británie a Severního Irska
Počet stran výsledku
13
Strana od-do
91-103
Kód UT WoS článku
—
EID výsledku v databázi Scopus
—