Photographs of Mongolian tsam-related artefacts taken by Czechoslovak researchers in the 1950s and 1960s: re-opening an old file

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F20%3A10425362" target="_blank" >RIV/00216208:11210/20:10425362 - isvavai.cz</a>

Výsledek na webu

<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=F62AX76ZRI" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=F62AX76ZRI</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.22162/2619-0990-2020-52-6-1513-1523" target="_blank" >10.22162/2619-0990-2020-52-6-1513-1523</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Photographs of Mongolian tsam-related artefacts taken by Czechoslovak researchers in the 1950s and 1960s: re-opening an old file

Popis výsledku v původním jazyce

This paper deals with two sets of colour photographs of Mongolian tsam masks taken by Czechoslovak archaeologist Lumír Jisl (1921-1969) and art photographer Werner Forman (1921-2010) in Mongolia during the period of 1956-1963. Based on that a brief account is given of the visits to Mongolia undertaken by Lumír Jisl and Werner Forman and the general background of Czechoslovak-Mongolian cooperation in its first decade after the establishment of diplomatic relations between the two countries is also sketched out. Furthermore the changes in perspective of the Buddhist monks following the general atmosphere of mistrust and fear engendered by the antireligion campaigns and repressions of the late 1930s, as well as the subsequent partial easing of these repressions is examined. Not only were Forman and Jisl both invited to take photographs of religious artefacts, but they also received assistance in doing so. Thus Mongolian monks had to accept the drastically changed status of these artefacts: once sacred items used in religious ritual dance, they were now objects of Mongolian artistic heritage

Název v anglickém jazyce

Photographs of Mongolian tsam-related artefacts taken by Czechoslovak researchers in the 1950s and 1960s: re-opening an old file

Popis výsledku anglicky

This paper deals with two sets of colour photographs of Mongolian tsam masks taken by Czechoslovak archaeologist Lumír Jisl (1921-1969) and art photographer Werner Forman (1921-2010) in Mongolia during the period of 1956-1963. Based on that a brief account is given of the visits to Mongolia undertaken by Lumír Jisl and Werner Forman and the general background of Czechoslovak-Mongolian cooperation in its first decade after the establishment of diplomatic relations between the two countries is also sketched out. Furthermore the changes in perspective of the Buddhist monks following the general atmosphere of mistrust and fear engendered by the antireligion campaigns and repressions of the late 1930s, as well as the subsequent partial easing of these repressions is examined. Not only were Forman and Jisl both invited to take photographs of religious artefacts, but they also received assistance in doing so. Thus Mongolian monks had to accept the drastically changed status of these artefacts: once sacred items used in religious ritual dance, they were now objects of Mongolian artistic heritage

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2020

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Oriental Studies

ISSN

2619-0990

e-ISSN

—

Svazek periodika

13

Číslo periodika v rámci svazku

6

Stát vydavatele periodika

RU - Ruská federace

Počet stran výsledku

11

Strana od-do

1513-1523

Kód UT WoS článku

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EID výsledku v databázi Scopus

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