Crisis and Renewal: Irish-Language Poetry in the Twentieth and Twenty-First Centuries
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F21%3A10435290" target="_blank" >RIV/00216208:11210/21:10435290 - isvavai.cz</a>
Výsledek na webu
—
DOI - Digital Object Identifier
—
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Crisis and Renewal: Irish-Language Poetry in the Twentieth and Twenty-First Centuries
Popis výsledku v původním jazyce
The image of Gaelic Ireland as doomed and constantly revived can be traced back to the medieval bardic tradition. If modern poetry in Irish still seems to concern itself with the general notion of the language as in extremis, one of its accepted functions has been to perpetuate that language and keep its cultural traditions alive. Conscious of these paradoxes, women poets have largely either rejected the sentimentalising, necrolatrous concepts of Irish or referred to the language and their own work ironically as attributes of a 'living' or 'talking' corpse. This idea of modern poetry in Irish as spanning a historical vacuum - bridging the gap between a point in the past when the language and its literature were at their peak and the present time when Irish is, undeniably, still alive - is shared by most of the poets discussed in this chapter.
Název v anglickém jazyce
Crisis and Renewal: Irish-Language Poetry in the Twentieth and Twenty-First Centuries
Popis výsledku anglicky
The image of Gaelic Ireland as doomed and constantly revived can be traced back to the medieval bardic tradition. If modern poetry in Irish still seems to concern itself with the general notion of the language as in extremis, one of its accepted functions has been to perpetuate that language and keep its cultural traditions alive. Conscious of these paradoxes, women poets have largely either rejected the sentimentalising, necrolatrous concepts of Irish or referred to the language and their own work ironically as attributes of a 'living' or 'talking' corpse. This idea of modern poetry in Irish as spanning a historical vacuum - bridging the gap between a point in the past when the language and its literature were at their peak and the present time when Irish is, undeniably, still alive - is shared by most of the poets discussed in this chapter.
Klasifikace
Druh
C - Kapitola v odborné knize
CEP obor
—
OECD FORD obor
60205 - Literary theory
Návaznosti výsledku
Projekt
—
Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2021
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název knihy nebo sborníku
A History of Irish Women’s Poetry
ISBN
978-1-108-77859-6
Počet stran výsledku
16
Strana od-do
239-254
Počet stran knihy
476
Název nakladatele
Cambridge University Press
Místo vydání
Cambridge
Kód UT WoS kapitoly
—