States of Emergency: Performing Crisis

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F22%3A10451872" target="_blank" >RIV/00216208:11210/22:10451872 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

States of Emergency: Performing Crisis

Popis výsledku v původním jazyce

This chapter sets out to map key current understandings of crisis. As feminist sociologist Sylvia Walby notes, crisis continues to &quot;cascade&quot; through society with evolving and undetermined consequences that are unevenly distributed (2015: 14). Crisis, Will Daddario and Theron Schmidt suggest, produces its own &quot;echo chamber&quot; (2018: 1) that can demobilise ways of reaching beyond the systems it presupposes. Conversely, crisis is widely understood as a catalyst of transformation be it positive or negative. Our overarching concern here is what is the relationship between theatre and crisis? What is gained by considering crisis performatively? What is the potential of critical creativity? And what forms might it take? How does theatrical performance intervene in crisis discourse? With these co-ordinates in mind, this chapter has a two-fold agenda: the first is contextual, theoretical, and interrogative; the second maps the organisational structure, the range of contributions and proposes modes of synthesising their concerns.

Název v anglickém jazyce

States of Emergency: Performing Crisis

Popis výsledku anglicky

This chapter sets out to map key current understandings of crisis. As feminist sociologist Sylvia Walby notes, crisis continues to &quot;cascade&quot; through society with evolving and undetermined consequences that are unevenly distributed (2015: 14). Crisis, Will Daddario and Theron Schmidt suggest, produces its own &quot;echo chamber&quot; (2018: 1) that can demobilise ways of reaching beyond the systems it presupposes. Conversely, crisis is widely understood as a catalyst of transformation be it positive or negative. Our overarching concern here is what is the relationship between theatre and crisis? What is gained by considering crisis performatively? What is the potential of critical creativity? And what forms might it take? How does theatrical performance intervene in crisis discourse? With these co-ordinates in mind, this chapter has a two-fold agenda: the first is contextual, theoretical, and interrogative; the second maps the organisational structure, the range of contributions and proposes modes of synthesising their concerns.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60205 - Literary theory

Projekt

<a href="/cs/project/EF16_019%2F0000734" target="_blank" >EF16_019/0000734: Kreativita a adaptabilita jako předpoklad úspěchu Evropy v propojeném světě</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2022

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Crisis, Representation and Resilience: Perspectives on Contemporary British Theatre

ISBN

978-1-350-18085-7

Počet stran výsledku

18

Strana od-do

1-18

Počet stran knihy

236

Název nakladatele

Bloomsbury

Místo vydání

Londýn

Kód UT WoS kapitoly

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