Roma youth in Czech rap music: stereotypes, objectification and 'triple inauthenticity'

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11230%2F20%3A10398279" target="_blank" >RIV/00216208:11230/20:10398279 - isvavai.cz</a>

Nalezeny alternativní kódy

RIV/00216208:11210/20:10398279

Výsledek na webu

<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=Ep0jDbf9v_" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=Ep0jDbf9v_</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1080/13676261.2019.1645946" target="_blank" >10.1080/13676261.2019.1645946</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Roma youth in Czech rap music: stereotypes, objectification and 'triple inauthenticity'

Popis výsledku v původním jazyce

The article examines the position of Roma youth in Czech rap music. We focus on the role of cultural translation of hip hop culture in general and rap music in particular and the accompanying notions of authenticity. The findings challenge the romantic notion of hip hop as a platform for oppressed marginal communities to express their lived experiences and opinions; rather, we analyze the invisibility and misrepresentation of the Roma in Czech rap music. Using qualitative research methods (in-depth interviews, discourse analysis of rap lyrics and participant observation at hip hop events) we first look at the attitudes of &apos;white&apos; (majority) Czech rappers towards the Roma community. In the second part of the article, we focus on the Roma presence in Czech rap music, in particular on two case studies of Roma youth groups, as well as on the roles of youth workers and educators and their appropriation of hip hop as a form of Roma integration. Finally we discuss the threat of the burden of a &apos;triple inauthenticity&apos; of Roma youth in Czech rap music.

Název v anglickém jazyce

Roma youth in Czech rap music: stereotypes, objectification and 'triple inauthenticity'

Popis výsledku anglicky

The article examines the position of Roma youth in Czech rap music. We focus on the role of cultural translation of hip hop culture in general and rap music in particular and the accompanying notions of authenticity. The findings challenge the romantic notion of hip hop as a platform for oppressed marginal communities to express their lived experiences and opinions; rather, we analyze the invisibility and misrepresentation of the Roma in Czech rap music. Using qualitative research methods (in-depth interviews, discourse analysis of rap lyrics and participant observation at hip hop events) we first look at the attitudes of &apos;white&apos; (majority) Czech rappers towards the Roma community. In the second part of the article, we focus on the Roma presence in Czech rap music, in particular on two case studies of Roma youth groups, as well as on the roles of youth workers and educators and their appropriation of hip hop as a form of Roma integration. Finally we discuss the threat of the burden of a &apos;triple inauthenticity&apos; of Roma youth in Czech rap music.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

50601 - Political science

Projekt

Výsledek vznikl pri realizaci vícero projektů. Více informací v záložce Projekty.

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2020

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Journal of Youth Studies

ISSN

1367-6261

e-ISSN

—

Svazek periodika

23

Číslo periodika v rámci svazku

7

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

19

Strana od-do

926-944

Kód UT WoS článku

000486569400001

EID výsledku v databázi Scopus

2-s2.0-85073950358