Self-Imagining: Self-Portraits as Resistance to Ethno-Nationalism and Right-Wing Populism in East-Central Europe
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11230%2F24%3A10486966" target="_blank" >RIV/00216208:11230/24:10486966 - isvavai.cz</a>
Výsledek na webu
<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=udfN0tsUAX" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=udfN0tsUAX</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.1080/09528822.2024.2393947" target="_blank" >10.1080/09528822.2024.2393947</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Self-Imagining: Self-Portraits as Resistance to Ethno-Nationalism and Right-Wing Populism in East-Central Europe
Popis výsledku v původním jazyce
While Western Europe's visual cultural resistance to populism is often highlighted in both the media and academic studies, resistance to populism through artistic and cultural production is very seldom addressed in the academic studies dedicated to East-Central Europe. This does not mean that the cultural producers from the former East do not confront the surge of neo-populism in the region. How do artists understand and figure out cultural alternatives and resist right-wing populist politics and its culture in East-Central Europe? What are their strategies to react against 'culturally popular' formats and ethnoreligious nationalist culture in an age of generalised anxiety? This article focuses on alternative archives of visual art against populism, within which it addresses self-portraits, double-self-portraits, and multi-self-portraits understood as visual cultural productions that resist the pre-existing depictions of 'the people' - employed by the right-wing populist entrepreneurs - to polarise societies into friends versus enemies.
Název v anglickém jazyce
Self-Imagining: Self-Portraits as Resistance to Ethno-Nationalism and Right-Wing Populism in East-Central Europe
Popis výsledku anglicky
While Western Europe's visual cultural resistance to populism is often highlighted in both the media and academic studies, resistance to populism through artistic and cultural production is very seldom addressed in the academic studies dedicated to East-Central Europe. This does not mean that the cultural producers from the former East do not confront the surge of neo-populism in the region. How do artists understand and figure out cultural alternatives and resist right-wing populist politics and its culture in East-Central Europe? What are their strategies to react against 'culturally popular' formats and ethnoreligious nationalist culture in an age of generalised anxiety? This article focuses on alternative archives of visual art against populism, within which it addresses self-portraits, double-self-portraits, and multi-self-portraits understood as visual cultural productions that resist the pre-existing depictions of 'the people' - employed by the right-wing populist entrepreneurs - to polarise societies into friends versus enemies.
Klasifikace
Druh
J<sub>imp</sub> - Článek v periodiku v databázi Web of Science
CEP obor
—
OECD FORD obor
50601 - Political science
Návaznosti výsledku
Projekt
—
Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2024
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Third Text
ISSN
0952-8822
e-ISSN
1475-5297
Svazek periodika
38
Číslo periodika v rámci svazku
3
Stát vydavatele periodika
GB - Spojené království Velké Británie a Severního Irska
Počet stran výsledku
15
Strana od-do
349-365
Kód UT WoS článku
001349288900001
EID výsledku v databázi Scopus
2-s2.0-85214983160