Houses Provide a Spatial Backbone for Virtually Everything We Do': An Anthropological Study of DIY ("do-it-yourself") House Shows in the US

Kód výsledku v IS VaVaI

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Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Houses Provide a Spatial Backbone for Virtually Everything We Do': An Anthropological Study of DIY ("do-it-yourself") House Shows in the US

Popis výsledku v původním jazyce

The subject of this article is the phenomena of &apos;DIY house shows&apos; (i.e., &apos;do-it-yourself&apos; house concerts) in the US, which usually incorporate a variety of music genres, from punk and indie rock, to experimental music and singer-songwriters. In this regard, I am mostly concerned with the significance and centrality of &apos;place,&apos; more specifically, DIY venues, and particularly houses, for the American DIY communities in terms of the spatial or venue constitution of scenes, community construction, political aspiration, musical aesthetics, and sound. In terms of community construction, I particularly look into DIY organizational patterns, space policies, and translocal musical interaction. The findings that I present are based on my long-term ethnographic study of American DIY house shows and scenes, particularly on the West Coast. Ethnographic approach consequently informs also the main focus of this paper, in which I am concerned with both discursive and material aspects of American DIY scenes, as related to the issue of place. In other words, I present native or emic discourses about the value and importance of place, and particularly houses, for the American DIY communities, while I also demonstrate how these discourses are manifested in the everyday practice of American DIY participants.

Název v anglickém jazyce

Houses Provide a Spatial Backbone for Virtually Everything We Do': An Anthropological Study of DIY ("do-it-yourself") House Shows in the US

Popis výsledku anglicky

The subject of this article is the phenomena of &apos;DIY house shows&apos; (i.e., &apos;do-it-yourself&apos; house concerts) in the US, which usually incorporate a variety of music genres, from punk and indie rock, to experimental music and singer-songwriters. In this regard, I am mostly concerned with the significance and centrality of &apos;place,&apos; more specifically, DIY venues, and particularly houses, for the American DIY communities in terms of the spatial or venue constitution of scenes, community construction, political aspiration, musical aesthetics, and sound. In terms of community construction, I particularly look into DIY organizational patterns, space policies, and translocal musical interaction. The findings that I present are based on my long-term ethnographic study of American DIY house shows and scenes, particularly on the West Coast. Ethnographic approach consequently informs also the main focus of this paper, in which I am concerned with both discursive and material aspects of American DIY scenes, as related to the issue of place. In other words, I present native or emic discourses about the value and importance of place, and particularly houses, for the American DIY communities, while I also demonstrate how these discourses are manifested in the everyday practice of American DIY participants.

Druh

D - Stať ve sborníku

CEP obor

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OECD FORD obor

50404 - Anthropology, ethnology

Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2017

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název statě ve sborníku

Keep it Simple, Make it Fast! An Approach to Underground Scenes. Volume 3

ISBN

978-989-8648-88-4

ISSN

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e-ISSN

neuvedeno

Počet stran výsledku

12

Strana od-do

13-24

Název nakladatele

University of Porto, Faculty of Arts and Humanities

Místo vydání

Porto, Portugal

Místo konání akce

Porto, Portugalsko

Datum konání akce

18. 7. 2016

Typ akce podle státní příslušnosti

WRD - Celosvětová akce

Kód UT WoS článku

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