'A whole society, with its own economic system': the reciprocal and capitalist configurations of American DIY music scenes

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11240%2F23%3A10472113" target="_blank" >RIV/00216208:11240/23:10472113 - isvavai.cz</a>

Výsledek na webu

<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=aFw2oZUq7N" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=aFw2oZUq7N</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1080/17411912.2023.2180050" target="_blank" >10.1080/17411912.2023.2180050</a>

Jazyk výsledku

angličtina

Název v původním jazyce

'A whole society, with its own economic system': the reciprocal and capitalist configurations of American DIY music scenes

Popis výsledku v původním jazyce

In this article, I examine the alternative economics of reciprocity in American DIY (do-it-yourself) culture. Through long term ethnographic study of local and translocal DIY scenes, including shows, spaces, and touring practices, I reveal a plethora of reciprocal musical and extra-musical activities that enable the creation of alternative DIY worlds. Yet I also highlight how these alternative economic systems of reciprocity coexist with capitalist ones. Drawing on Arjun Appadurai&apos;s theories of value and commodity (1986), alongside other authors who examine the co-existence of different economic systems, I chart how DIY practitioners tactically navigate the boundaries between these reciprocal and capitalist economic systems and worlds. These socio-economic relations, I argue, also shape DIY sounds and aesthetics, as well as contribute to distinct musical values, discourses and practices.

Název v anglickém jazyce

'A whole society, with its own economic system': the reciprocal and capitalist configurations of American DIY music scenes

Popis výsledku anglicky

In this article, I examine the alternative economics of reciprocity in American DIY (do-it-yourself) culture. Through long term ethnographic study of local and translocal DIY scenes, including shows, spaces, and touring practices, I reveal a plethora of reciprocal musical and extra-musical activities that enable the creation of alternative DIY worlds. Yet I also highlight how these alternative economic systems of reciprocity coexist with capitalist ones. Drawing on Arjun Appadurai&apos;s theories of value and commodity (1986), alongside other authors who examine the co-existence of different economic systems, I chart how DIY practitioners tactically navigate the boundaries between these reciprocal and capitalist economic systems and worlds. These socio-economic relations, I argue, also shape DIY sounds and aesthetics, as well as contribute to distinct musical values, discourses and practices.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

50404 - Anthropology, ethnology

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Ethnomusicology Forum

ISSN

1741-1912

e-ISSN

1741-1920

Svazek periodika

32

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

23

Strana od-do

5-27

Kód UT WoS článku

000943419100001

EID výsledku v databázi Scopus

2-s2.0-85149508413