Cultural production of "real" fahion. The rhetoric of "authenticity" in contemporary "slow" fashion magazines

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11240%2F19%3A10414804" target="_blank" >RIV/00216208:11240/19:10414804 - isvavai.cz</a>

Výsledek na webu

<a href="https://www.icnova.fcsh.unl.pt/wp-content/uploads/sites/38/2020/01/ICNOVA_MMM_DariaMikerina.pdf" target="_blank" >https://www.icnova.fcsh.unl.pt/wp-content/uploads/sites/38/2020/01/ICNOVA_MMM_DariaMikerina.pdf</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Cultural production of "real" fahion. The rhetoric of "authenticity" in contemporary "slow" fashion magazines

Popis výsledku v původním jazyce

The key feature in ((fashion}} always have been rapid changes of styles. It was perceived as a manifestation of modernity characterised by constant forward move- ment, artifice, transitoriness, and idealised images. But in recent years fashion in this understanding is becoming no longer ((fashionable}}. The paper discusses the new practices of representation of fashion as ((real}}, ((long-lasting}}, and ((authentic}}. The emerging new paradigm, which could be termed post-prêt-a-porter, is characterised by a rejection of trends, a focus on the ((relevant}} sides of garments and an alteration of the fast fashion cycle. The newcomer biannual fashion magazines, like analysed in this paper Fantastic Man and The Gentlewoman, mediate new practices of trans- formation ((fashion}} back to ((clothing}}. The idea is that people are tired of ((fake}} fashion and are looking for ((real}} fashion. What does it mean, ((the real fashion}}? To attempt to answer, this paper rereads Roland Barthes&apos; classic text on representation of fashion.

Název v anglickém jazyce

Cultural production of "real" fahion. The rhetoric of "authenticity" in contemporary "slow" fashion magazines

Popis výsledku anglicky

The key feature in ((fashion}} always have been rapid changes of styles. It was perceived as a manifestation of modernity characterised by constant forward move- ment, artifice, transitoriness, and idealised images. But in recent years fashion in this understanding is becoming no longer ((fashionable}}. The paper discusses the new practices of representation of fashion as ((real}}, ((long-lasting}}, and ((authentic}}. The emerging new paradigm, which could be termed post-prêt-a-porter, is characterised by a rejection of trends, a focus on the ((relevant}} sides of garments and an alteration of the fast fashion cycle. The newcomer biannual fashion magazines, like analysed in this paper Fantastic Man and The Gentlewoman, mediate new practices of trans- formation ((fashion}} back to ((clothing}}. The idea is that people are tired of ((fake}} fashion and are looking for ((real}} fashion. What does it mean, ((the real fashion}}? To attempt to answer, this paper rereads Roland Barthes&apos; classic text on representation of fashion.

Druh

D - Stať ve sborníku

CEP obor

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OECD FORD obor

60400 - Arts (arts, history of arts, performing arts, music)

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název statě ve sborníku

MODAS, MODOS, MANEIRAS

ISBN

978-972-9347-28-3

ISSN

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e-ISSN

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Počet stran výsledku

13

Strana od-do

343-355

Název nakladatele

Livros ICNOVA

Místo vydání

Lisbon

Místo konání akce

Lisbon

Datum konání akce

23. 11. 2017

Typ akce podle státní příslušnosti

WRD - Celosvětová akce

Kód UT WoS článku

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