An Inquiry Towards a Semiotic Conception of The Aesthetic
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11240%2F20%3A10431397" target="_blank" >RIV/00216208:11240/20:10431397 - isvavai.cz</a>
Výsledek na webu
<a href="https://www.pdcnet.org/cpsem/content/cpsem_2019_0079_0086" target="_blank" >https://www.pdcnet.org/cpsem/content/cpsem_2019_0079_0086</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.5840/cpsem20199" target="_blank" >10.5840/cpsem20199</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
An Inquiry Towards a Semiotic Conception of The Aesthetic
Popis výsledku v původním jazyce
This paper presents an analysis of (certain facets of) aesthetic experience through Peircean semiotic conceptions. The starting point of the discussion is Kant's conception of aesthetic experience, which is then developed further in Peircean terms. The core idea of this analysis is to identify aesthetic experience as belonging to a specific class of sign in terms of Peirce's late classification of signs (1903c: EP 2.294-296), namely that of (iconic rhematic) qualisign, and to show how such a conception forms a firm bedrock of aesthetics. The next section gives an overview of Kant's conception of aesthetic experience in relation to his conception of aesthetic judgement. The section that follows interprets this conception of aesthetic experience in terms of Peircean semiotics. The fourth discusses the connection of (iconic rhematic) qualisign to higher classes of signs, and describes how does aesthetic experience transform itself and grow in the process of semiosis. The final section illustrates the fruitfulness of the presented approach in the realm of art criticism.
Název v anglickém jazyce
An Inquiry Towards a Semiotic Conception of The Aesthetic
Popis výsledku anglicky
This paper presents an analysis of (certain facets of) aesthetic experience through Peircean semiotic conceptions. The starting point of the discussion is Kant's conception of aesthetic experience, which is then developed further in Peircean terms. The core idea of this analysis is to identify aesthetic experience as belonging to a specific class of sign in terms of Peirce's late classification of signs (1903c: EP 2.294-296), namely that of (iconic rhematic) qualisign, and to show how such a conception forms a firm bedrock of aesthetics. The next section gives an overview of Kant's conception of aesthetic experience in relation to his conception of aesthetic judgement. The section that follows interprets this conception of aesthetic experience in terms of Peircean semiotics. The fourth discusses the connection of (iconic rhematic) qualisign to higher classes of signs, and describes how does aesthetic experience transform itself and grow in the process of semiosis. The final section illustrates the fruitfulness of the presented approach in the realm of art criticism.
Klasifikace
Druh
D - Stať ve sborníku
CEP obor
—
OECD FORD obor
60301 - Philosophy, History and Philosophy of science and technology
Návaznosti výsledku
Projekt
—
Návaznosti
S - Specificky vyzkum na vysokych skolach
Ostatní
Rok uplatnění
2020
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název statě ve sborníku
New frontiers in semiotics
ISBN
978-1-63435-061-7
ISSN
0742-7611
e-ISSN
—
Počet stran výsledku
8
Strana od-do
79-86
Název nakladatele
Philosophy Documentation Center
Místo vydání
Charlottesville
Místo konání akce
Portland, OR
Datum konání akce
9. 10. 2019
Typ akce podle státní příslušnosti
WRD - Celosvětová akce
Kód UT WoS článku
—