Remaining silent: The ongoing presence of silent films on cinema programmes in Brno between 1930 and 1936

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11320%2F23%3AKD3CUWQ6" target="_blank" >RIV/00216208:11320/23:KD3CUWQ6 - isvavai.cz</a>

Nalezeny alternativní kódy

RIV/00216224:14210/22:00127735

Výsledek na webu

<a href="https://pressto.amu.edu.pl/index.php/i/article/view/36827" target="_blank" >https://pressto.amu.edu.pl/index.php/i/article/view/36827</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.14746/i.2022.41.04" target="_blank" >10.14746/i.2022.41.04</a>

Jazyk výsledku

uzbečtina

Název v původním jazyce

Remaining silent: The ongoing presence of silent films on cinema programmes in Brno between 1930 and 1936

Popis výsledku v původním jazyce

"The production of silent gilms in Czechoslovakia ended shortly after the advent of sound technology at the very end of the 1920s. The number of available silent films steadily decreased from that point on, yet some cinemas decided to continue to include them in their programming, even though they had sound equipment. The article analyses the scheduling of silent films in the specific case of two cinemas from the periphery of Brno, the second-largest city in Czechoslovakia. On the exhibitors’ side, there was a visible tendency to screen films 1) approximately two years from the premiere and 2) older with renowned stars or plot. This surprising presence of silent films in cinemas leads to the question: “Why were they still scheduled”? The answer lies both in the cinema owners, for whom silent films were a cheaper commodity, and in the audiences, who did not necessarily demand screenings of new sound films."

Název v anglickém jazyce

Remaining silent: The ongoing presence of silent films on cinema programmes in Brno between 1930 and 1936

Popis výsledku anglicky

"The production of silent gilms in Czechoslovakia ended shortly after the advent of sound technology at the very end of the 1920s. The number of available silent films steadily decreased from that point on, yet some cinemas decided to continue to include them in their programming, even though they had sound equipment. The article analyses the scheduling of silent films in the specific case of two cinemas from the periphery of Brno, the second-largest city in Czechoslovakia. On the exhibitors’ side, there was a visible tendency to screen films 1) approximately two years from the premiere and 2) older with renowned stars or plot. This surprising presence of silent films in cinemas leads to the question: “Why were they still scheduled”? The answer lies both in the cinema owners, for whom silent films were a cheaper commodity, and in the audiences, who did not necessarily demand screenings of new sound films."

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

10201 - Computer sciences, information science, bioinformathics (hardware development to be 2.2, social aspect to be 5.8)

Projekt

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Návaznosti

—

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Images

ISSN

1731-450X

e-ISSN

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Svazek periodika

41

Číslo periodika v rámci svazku

2023

Stát vydavatele periodika

PL - Polská republika

Počet stran výsledku

14

Strana od-do

65-78

Kód UT WoS článku

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EID výsledku v databázi Scopus

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