Remaining silent : The ongoing presence of silent films on cinema programmes in Brno between 1930 and 1936

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F22%3A00127735" target="_blank" >RIV/00216224:14210/22:00127735 - isvavai.cz</a>

Nalezeny alternativní kódy

RIV/00216208:11320/23:KD3CUWQ6

Výsledek na webu

<a href="https://pressto.amu.edu.pl/index.php/i/article/view/36827/31586" target="_blank" >https://pressto.amu.edu.pl/index.php/i/article/view/36827/31586</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.14746/i.2022.41.04" target="_blank" >10.14746/i.2022.41.04</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Remaining silent : The ongoing presence of silent films on cinema programmes in Brno between 1930 and 1936

Popis výsledku v původním jazyce

The production of silent films in Czechoslovakia ended shortly after the advent of sound technology at the very end of the 1920s. The number of available silent films steadily decreased from that point on, yet some cinemas decided to continue to include them in their programming, even though they had sound equipment. The article analyses the scheduling of silent films in the specific case of two cinemas from the periphery of Brno, the second-largest city in Czechoslovakia. On the exhibitors’ side, there was a visible tendency to screen films 1) approximately two years from the premiere and 2) older with renowned stars or plot. This surprising presence of silent films in cinemas leads to the question: “Why were they still scheduled”? The answer lies both in the cinema owners, for whom silent films were a cheaper commodity, and in the audiences, who did not necessarily demand screenings of new sound films.

Název v anglickém jazyce

Remaining silent : The ongoing presence of silent films on cinema programmes in Brno between 1930 and 1936

Popis výsledku anglicky

The production of silent films in Czechoslovakia ended shortly after the advent of sound technology at the very end of the 1920s. The number of available silent films steadily decreased from that point on, yet some cinemas decided to continue to include them in their programming, even though they had sound equipment. The article analyses the scheduling of silent films in the specific case of two cinemas from the periphery of Brno, the second-largest city in Czechoslovakia. On the exhibitors’ side, there was a visible tendency to screen films 1) approximately two years from the premiere and 2) older with renowned stars or plot. This surprising presence of silent films in cinemas leads to the question: “Why were they still scheduled”? The answer lies both in the cinema owners, for whom silent films were a cheaper commodity, and in the audiences, who did not necessarily demand screenings of new sound films.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2022

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Images (Poland)

ISSN

1731-450X

e-ISSN

—

Svazek periodika

32

Číslo periodika v rámci svazku

41

Stát vydavatele periodika

PL - Polská republika

Počet stran výsledku

14

Strana od-do

65-78

Kód UT WoS článku

—

EID výsledku v databázi Scopus

999