Challenges in Basso Continuo Performance-to-Score Alignment

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11320%2F25%3A10511577" target="_blank" >RIV/00216208:11320/25:10511577 - isvavai.cz</a>

Výsledek na webu

<a href="https://zenodo.org/records/17502511" target="_blank" >https://zenodo.org/records/17502511</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5281/zenodo.17502511" target="_blank" >10.5281/zenodo.17502511</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Challenges in Basso Continuo Performance-to-Score Alignment

Popis výsledku v původním jazyce

Basso continuo is a Baroque practice of creating harmonic improvisations above a given bass line. In addition to its historical heritage, it is also a living improvisation genre performed by most keyboard players in historically informed performance. However, present-day basso continuo performance has remained understudied empirically, mostly due to lack of data. One key enabler for such research is an automatic system that aligns basso continuo performances to the written bass line in the score. The task of basso continuo alignment, however, presents challenges that are distinct from those of standard performance-to-score alignment tasks, due to the underspecified notation of basso continuo. We analyze the specifics of basso continuo performance-to-score alignment through a dataset of basso continuo performances that we had previously introduced, based on manually annotated performance-to-score alignments of a subset of the pieces. From our analysis, we provide a compilation of challenges specific to

Název v anglickém jazyce

Challenges in Basso Continuo Performance-to-Score Alignment

Popis výsledku anglicky

Basso continuo is a Baroque practice of creating harmonic improvisations above a given bass line. In addition to its historical heritage, it is also a living improvisation genre performed by most keyboard players in historically informed performance. However, present-day basso continuo performance has remained understudied empirically, mostly due to lack of data. One key enabler for such research is an automatic system that aligns basso continuo performances to the written bass line in the score. The task of basso continuo alignment, however, presents challenges that are distinct from those of standard performance-to-score alignment tasks, due to the underspecified notation of basso continuo. We analyze the specifics of basso continuo performance-to-score alignment through a dataset of basso continuo performances that we had previously introduced, based on manually annotated performance-to-score alignments of a subset of the pieces. From our analysis, we provide a compilation of challenges specific to

Druh

D - Stať ve sborníku

CEP obor

—

OECD FORD obor

10201 - Computer sciences, information science, bioinformathics (hardware development to be 2.2, social aspect to be 5.8)

Projekt

<a href="/cs/project/EH23_025%2F0008691" target="_blank" >EH23_025/0008691: AI zaměřená na člověka pro udržitelnou a adaptabilní společnost</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)<br>S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název statě ve sborníku

Proceedings of the 17th International Symposium on Computer Music Multidisciplinary Research

ISBN

979-10-97498-06-1

ISSN

—

e-ISSN

—

Počet stran výsledku

13

Strana od-do

924-936

Název nakladatele

The Laboratory PRISM “Perception, Representations, Image, Sound, Music”

Místo vydání

Marseille, France

Místo konání akce

London, UK

Datum konání akce

3. 11. 2025

Typ akce podle státní příslušnosti

WRD - Celosvětová akce

Kód UT WoS článku

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