Basso Continuo Goes Digital: Collecting and Aligning a Symbolic Dataset of Continuo Performance
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11320%2F25%3A10511678" target="_blank" >RIV/00216208:11320/25:10511678 - isvavai.cz</a>
Výsledek na webu
<a href="https://zenodo.org/records/16946799" target="_blank" >https://zenodo.org/records/16946799</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.5281/zenodo.16946799" target="_blank" >10.5281/zenodo.16946799</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Basso Continuo Goes Digital: Collecting and Aligning a Symbolic Dataset of Continuo Performance
Popis výsledku v původním jazyce
Basso continuo is the baroque accompaniment practice of improvising harmony and upper voices upon a notated bass line. The performance – "realization" – of continuo is not just historical heritage, but a living cornerstone of the Historically Informed Performance movement. However, in MIR it has received little attention and its "living" side has been overlooked entirely. We present a pilot dataset consisting of 6 hours of basso continuo performances in 175 MIDI recordings, which is the first of its kind. To connect contemporary practice to musicological knowledge, and to enable comparing the performances themselves, one must align performances to the notated bass lines. We analyze the challenges that continuo alignment presents, and evaluate baseline two-step alignment using state-of-the-art variants of HMMs and DTW. Whereas the bass line is aligned well, assigning individual notes of the realization to the score will require further attention.
Název v anglickém jazyce
Basso Continuo Goes Digital: Collecting and Aligning a Symbolic Dataset of Continuo Performance
Popis výsledku anglicky
Basso continuo is the baroque accompaniment practice of improvising harmony and upper voices upon a notated bass line. The performance – "realization" – of continuo is not just historical heritage, but a living cornerstone of the Historically Informed Performance movement. However, in MIR it has received little attention and its "living" side has been overlooked entirely. We present a pilot dataset consisting of 6 hours of basso continuo performances in 175 MIDI recordings, which is the first of its kind. To connect contemporary practice to musicological knowledge, and to enable comparing the performances themselves, one must align performances to the notated bass lines. We analyze the challenges that continuo alignment presents, and evaluate baseline two-step alignment using state-of-the-art variants of HMMs and DTW. Whereas the bass line is aligned well, assigning individual notes of the realization to the score will require further attention.
Klasifikace
Druh
O - Ostatní výsledky
CEP obor
—
OECD FORD obor
10201 - Computer sciences, information science, bioinformathics (hardware development to be 2.2, social aspect to be 5.8)
Návaznosti výsledku
Projekt
<a href="/cs/project/EH23_025%2F0008691" target="_blank" >EH23_025/0008691: AI zaměřená na člověka pro udržitelnou a adaptabilní společnost</a><br>
Návaznosti
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)<br>S - Specificky vyzkum na vysokych skolach
Ostatní
Rok uplatnění
2025
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů