Mimesis, Diegesis, and Narrative Frames: Gregory, Beckett, McGuinness

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11320%2F25%3A7BUN798S" target="_blank" >RIV/00216208:11320/25:7BUN798S - isvavai.cz</a>

Výsledek na webu

<a href="https://www.scopus.com/inward/record.uri?eid=2-s2.0-85195290753&doi=10.16995%2fOLH.10477&partnerID=40&md5=35c5bd210c356a2a499dccf246b9e4d2" target="_blank" >https://www.scopus.com/inward/record.uri?eid=2-s2.0-85195290753&doi=10.16995%2fOLH.10477&partnerID=40&md5=35c5bd210c356a2a499dccf246b9e4d2</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.16995/OLH.10477" target="_blank" >10.16995/OLH.10477</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Mimesis, Diegesis, and Narrative Frames: Gregory, Beckett, McGuinness

Popis výsledku v původním jazyce

Location always matters – especially in Irish drama. Drawing on the spatial theories of Michael Issacharoff, Hélène Laliberté and Ruth Ronen, the article investigates the unique interplay between dramatic space and the thematic concept of the universal in three Irish plays: Augusta Gregory’s The Workhouse Ward (1908), Samuel Beckett’s Waiting for Godot (1953/55) and Frank McGuinness’s Observe the Sons of Ulster Marching Towards the Somme (1985). I trace a special line of influence between these plays through the lens of spatial theory, and further the discussion of the geographies of Irish drama as examined in Chris Morash and Shaun Richard’s Mapping Irish Theatre: Theories of Space and Place (2013). Open Library of Humanities is a peer-reviewed open access journal published by the Open Library of Humanities. © 2024 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/.

Název v anglickém jazyce

Mimesis, Diegesis, and Narrative Frames: Gregory, Beckett, McGuinness

Popis výsledku anglicky

Location always matters – especially in Irish drama. Drawing on the spatial theories of Michael Issacharoff, Hélène Laliberté and Ruth Ronen, the article investigates the unique interplay between dramatic space and the thematic concept of the universal in three Irish plays: Augusta Gregory’s The Workhouse Ward (1908), Samuel Beckett’s Waiting for Godot (1953/55) and Frank McGuinness’s Observe the Sons of Ulster Marching Towards the Somme (1985). I trace a special line of influence between these plays through the lens of spatial theory, and further the discussion of the geographies of Irish drama as examined in Chris Morash and Shaun Richard’s Mapping Irish Theatre: Theories of Space and Place (2013). Open Library of Humanities is a peer-reviewed open access journal published by the Open Library of Humanities. © 2024 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

10201 - Computer sciences, information science, bioinformathics (hardware development to be 2.2, social aspect to be 5.8)

Projekt

—

Návaznosti

—

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Open Library of Humanities

ISSN

20566700

e-ISSN

—

Svazek periodika

10

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

US - Spojené státy americké

Počet stran výsledku

24

Strana od-do

1 - 24

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85195290753