The aesthetics of Performative art: Elements of Performance Through the Lens of Current Theory; [Estetika performatívneho umenia: zložky performancie optikou aktuálnej teórie]

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11320%2F25%3A8AKI5X49" target="_blank" >RIV/00216208:11320/25:8AKI5X49 - isvavai.cz</a>

Výsledek na webu

<a href="https://www.scopus.com/inward/record.uri?eid=2-s2.0-85180594378&doi=10.31577%2fsd-2023-0025&partnerID=40&md5=fe0c403ae33a10beb693e42d004c8e71" target="_blank" >https://www.scopus.com/inward/record.uri?eid=2-s2.0-85180594378&doi=10.31577%2fsd-2023-0025&partnerID=40&md5=fe0c403ae33a10beb693e42d004c8e71</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.31577/sd-2023-0025" target="_blank" >10.31577/sd-2023-0025</a>

Jazyk výsledku

angličtina

Název v původním jazyce

The aesthetics of Performative art: Elements of Performance Through the Lens of Current Theory; [Estetika performatívneho umenia: zložky performancie optikou aktuálnej teórie]

Popis výsledku v původním jazyce

The presence and genealogy of the terms 'performativity' and 'performance art' can be traced along several lines; they figure in reflections in philosophy, social science, and art history. Experiments of the theatrical avant-garde, ideas of the moderne, and post-structuralist influences all co-shaped the language of performative art. The acceptance of performative strategies in culture and arts, and reflections across scientific disciplines, initiated a situation (analogous to the so-called turn towards language) which came to be called performative turn. This study broadens the discussion on performative art and performativity by the perspective of aesthetics. From among the categorical apparatus of philosophy, aesthetics, and the aesthetics of reception, the author identifies the elements of performance and subsequently interprets them as constitutive principles of performance. © 2023 Elfos Scientiae. All rights reserved.

Název v anglickém jazyce

The aesthetics of Performative art: Elements of Performance Through the Lens of Current Theory; [Estetika performatívneho umenia: zložky performancie optikou aktuálnej teórie]

Popis výsledku anglicky

The presence and genealogy of the terms 'performativity' and 'performance art' can be traced along several lines; they figure in reflections in philosophy, social science, and art history. Experiments of the theatrical avant-garde, ideas of the moderne, and post-structuralist influences all co-shaped the language of performative art. The acceptance of performative strategies in culture and arts, and reflections across scientific disciplines, initiated a situation (analogous to the so-called turn towards language) which came to be called performative turn. This study broadens the discussion on performative art and performativity by the perspective of aesthetics. From among the categorical apparatus of philosophy, aesthetics, and the aesthetics of reception, the author identifies the elements of performance and subsequently interprets them as constitutive principles of performance. © 2023 Elfos Scientiae. All rights reserved.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

10201 - Computer sciences, information science, bioinformathics (hardware development to be 2.2, social aspect to be 5.8)

Projekt

—

Návaznosti

—

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Slovenske Divadlo

ISSN

0037699X

e-ISSN

—

Svazek periodika

71

Číslo periodika v rámci svazku

4

Stát vydavatele periodika

US - Spojené státy americké

Počet stran výsledku

15

Strana od-do

339 - 353

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85180594378