The poetry of earth is never dead: Meteorology and myth in Keats’s grasshopper sonnet

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11320%2F25%3ABHDP4T5V" target="_blank" >RIV/00216208:11320/25:BHDP4T5V - isvavai.cz</a>

Výsledek na webu

<a href="https://www.scopus.com/inward/record.uri?eid=2-s2.0-85203821454&doi=10.3366%2from.2024.0642&partnerID=40&md5=ec4874ffe7cd2b700e2c2dcd7c284993" target="_blank" >https://www.scopus.com/inward/record.uri?eid=2-s2.0-85203821454&doi=10.3366%2from.2024.0642&partnerID=40&md5=ec4874ffe7cd2b700e2c2dcd7c284993</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.3366/rom.2024.0642" target="_blank" >10.3366/rom.2024.0642</a>

Jazyk výsledku

angličtina

Název v původním jazyce

The poetry of earth is never dead: Meteorology and myth in Keats’s grasshopper sonnet

Popis výsledku v původním jazyce

Keats’s 1816 competition sonnet ‘On the Grasshopper and Cricket’ is easily dismissed as juvenilia, but when read with an eye to his interest in Greek mythology, the poem rewards further attention. In particular, the myth of Tithonus, who gained eternal life without eternal youth and was transformed into either a grasshopper or cricket, situates Keats’s immortal ‘poetry of earth’ in an ambivalent context that, in turn, makes sense of otherwise curiously neutral language. This ambivalent framing also encourages a new reading of the poem as a product of 1816, ‘the year without a summer’, building a case for the sonnet as an example of what Nikki Hessell has called Keats’s ‘botany of absence’ in the 1817 Poems volume more broadly. © Edinburgh University Press.

Název v anglickém jazyce

The poetry of earth is never dead: Meteorology and myth in Keats’s grasshopper sonnet

Popis výsledku anglicky

Keats’s 1816 competition sonnet ‘On the Grasshopper and Cricket’ is easily dismissed as juvenilia, but when read with an eye to his interest in Greek mythology, the poem rewards further attention. In particular, the myth of Tithonus, who gained eternal life without eternal youth and was transformed into either a grasshopper or cricket, situates Keats’s immortal ‘poetry of earth’ in an ambivalent context that, in turn, makes sense of otherwise curiously neutral language. This ambivalent framing also encourages a new reading of the poem as a product of 1816, ‘the year without a summer’, building a case for the sonnet as an example of what Nikki Hessell has called Keats’s ‘botany of absence’ in the 1817 Poems volume more broadly. © Edinburgh University Press.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

10201 - Computer sciences, information science, bioinformathics (hardware development to be 2.2, social aspect to be 5.8)

Projekt

—

Návaznosti

—

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Romanticism

ISSN

1354991X

e-ISSN

—

Svazek periodika

30

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

US - Spojené státy americké

Počet stran výsledku

10

Strana od-do

140 - 149

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85203821454