Barsene: A pasticcio for the Bohemian Queen from 1743; BARSENE: EIN PASTICCIO FüR DIE BöHMISCHE KöNIGIN AUS DEM JAHR 1743

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11320%2F26%3AVDERZVTN" target="_blank" >RIV/00216208:11320/26:VDERZVTN - isvavai.cz</a>

Výsledek na webu

<a href="https://www.scopus.com/inward/record.uri?eid=2-s2.0-85215277591&doi=10.54759%2FMUSICOLOGY-2024-0301&partnerID=40&md5=b31fa3ead8d3446233e9587ee08c993b" target="_blank" >https://www.scopus.com/inward/record.uri?eid=2-s2.0-85215277591&doi=10.54759%2FMUSICOLOGY-2024-0301&partnerID=40&md5=b31fa3ead8d3446233e9587ee08c993b</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.54759/MUSICOLOGY-2024-0301" target="_blank" >10.54759/MUSICOLOGY-2024-0301</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Barsene: A pasticcio for the Bohemian Queen from 1743; BARSENE: EIN PASTICCIO FüR DIE BöHMISCHE KöNIGIN AUS DEM JAHR 1743

Popis výsledku v původním jazyce

The opera pasticcio Barsene, performed in 1743 on the occasion of the imperial court’s stay in Prague for the coronation of Maria Theresa as Queen of Bohemia, has hitherto remained almost unknown, mentioned only sporadically in contemporary sources. The only certain contemporary reference is a brief note in the diary of the imperial Obersthofmeister Johann Joseph Khevenhüller‑Metsch. The original score of the performance has not survived; only the libretto remains, and only three copies of it are known today. This study surveys the current state of research on Barsene, reconstructs its political and staging context in detail, and offers a dramaturgical analysis based on eighteenth-century operatic conventions. The author identifies the libretto as originally by Domenico Lalli, written for the opera Argene (music by Leonardo Leo), premiered in Naples in 1731. Based on comparative analysis of librettos, surviving musical sources, and archival databases (e.g., RISM), the study proposes a set of possible composers for the individual arias in Barsene. The likely contributors include Leonardo Leo, Giuseppe Antonio Paganelli, Ignazio Maria Conti, Paolo Scalabrini, Gennaro D’Alessandro, Leonardo Vinci and Andrea Bernasconi — with Bernasconi emerging as the most plausible candidate for the pasticcio’s overall composition. The article thus reconstructs Barsene as a historically and musically significant, though largely lost, artifact of 18th-century Bohemian court culture, while clarifying the uncertainties and presumptions involved in its reconstruction.

Název v anglickém jazyce

Barsene: A pasticcio for the Bohemian Queen from 1743; BARSENE: EIN PASTICCIO FüR DIE BöHMISCHE KöNIGIN AUS DEM JAHR 1743

Popis výsledku anglicky

The opera pasticcio Barsene, performed in 1743 on the occasion of the imperial court’s stay in Prague for the coronation of Maria Theresa as Queen of Bohemia, has hitherto remained almost unknown, mentioned only sporadically in contemporary sources. The only certain contemporary reference is a brief note in the diary of the imperial Obersthofmeister Johann Joseph Khevenhüller‑Metsch. The original score of the performance has not survived; only the libretto remains, and only three copies of it are known today. This study surveys the current state of research on Barsene, reconstructs its political and staging context in detail, and offers a dramaturgical analysis based on eighteenth-century operatic conventions. The author identifies the libretto as originally by Domenico Lalli, written for the opera Argene (music by Leonardo Leo), premiered in Naples in 1731. Based on comparative analysis of librettos, surviving musical sources, and archival databases (e.g., RISM), the study proposes a set of possible composers for the individual arias in Barsene. The likely contributors include Leonardo Leo, Giuseppe Antonio Paganelli, Ignazio Maria Conti, Paolo Scalabrini, Gennaro D’Alessandro, Leonardo Vinci and Andrea Bernasconi — with Bernasconi emerging as the most plausible candidate for the pasticcio’s overall composition. The article thus reconstructs Barsene as a historically and musically significant, though largely lost, artifact of 18th-century Bohemian court culture, while clarifying the uncertainties and presumptions involved in its reconstruction.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

10201 - Computer sciences, information science, bioinformathics (hardware development to be 2.2, social aspect to be 5.8)

Projekt

—

Návaznosti

—

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Hudebni Veda

ISSN

00187003

e-ISSN

—

Svazek periodika

61

Číslo periodika v rámci svazku

3

Stát vydavatele periodika

US - Spojené státy americké

Počet stran výsledku

37

Strana od-do

334 - 370

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85215277591