Where everything is connected to everything else and anything is possible - London in Peter Ackroyd's Three Brothers

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11410%2F14%3A10288884" target="_blank" >RIV/00216208:11410/14:10288884 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Where everything is connected to everything else and anything is possible - London in Peter Ackroyd's Three Brothers

Popis výsledku v původním jazyce

In his London novels, Peter Ackroyd creates a distinct and original fictional world with a number of idiosyncratic features, such as presenting the city as a reflection of its dwellers' minds, a belief in the power of its genius loci, the concept of mystical time challenging the traditional notion of temporal linearity, a focus on the dark sides and heterogeneous tendencies of the city, the theme of crime and criminality, an exploration of the city's irrational manifestations such as mysticism and occultism, its essentially theatrical nature, and its literary, particularly intertextual and palimpsestic, texture. This article demonstrates the various ways in which Ackroyd presents and explores London in his latest novel, Three Brothers (2013), and attempts to establish its position within the overall body of his London writing, arguing that it bears a notable affinity especially with his first novel, The Great Fire of London (1982).

Název v anglickém jazyce

Where everything is connected to everything else and anything is possible - London in Peter Ackroyd's Three Brothers

Popis výsledku anglicky

In his London novels, Peter Ackroyd creates a distinct and original fictional world with a number of idiosyncratic features, such as presenting the city as a reflection of its dwellers' minds, a belief in the power of its genius loci, the concept of mystical time challenging the traditional notion of temporal linearity, a focus on the dark sides and heterogeneous tendencies of the city, the theme of crime and criminality, an exploration of the city's irrational manifestations such as mysticism and occultism, its essentially theatrical nature, and its literary, particularly intertextual and palimpsestic, texture. This article demonstrates the various ways in which Ackroyd presents and explores London in his latest novel, Three Brothers (2013), and attempts to establish its position within the overall body of his London writing, arguing that it bears a notable affinity especially with his first novel, The Great Fire of London (1982).

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

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Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2014

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

The Literary London Journal

ISSN

1744-0807

e-ISSN

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Svazek periodika

11

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

14

Strana od-do

35-48

Kód UT WoS článku

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EID výsledku v databázi Scopus

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