Here we are again, where pathos and pantomime meet - the theatrical city in Peter Ackroyd's Dan Leno and the Limehouse Golem

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11410%2F14%3A10288881" target="_blank" >RIV/00216208:11410/14:10288881 - isvavai.cz</a>

Výsledek na webu

—

DOI - Digital Object Identifier

—

Jazyk výsledku

angličtina

Název v původním jazyce

Here we are again, where pathos and pantomime meet - the theatrical city in Peter Ackroyd's Dan Leno and the Limehouse Golem

Popis výsledku v původním jazyce

In his London novels, Peter Ackroyd creates a distinct and original fictional world with a number of idiosyncratic features, such as the city as a reflection of its dwellers' minds, the belief in the power of the genius loci, the concept of mystical timechallenging the traditional notion of temporal linearity, the focus on the dark sides and heterogeneous tendencies of the city, the theme of crime and criminality, the exploration of the city's irrational manifestations, and its literary, namely intertextual and palimpsestic, texture. However, one of the most significant defining aspects of Ackroyd's London is its essentially theatrical nature. Like many prominent literati and scholars in the past, and primarily Charles Dickens whom he acknowledges ashis predecessor and influence, Ackroyd notices and renders London's theatricality, both in the sense of a city of theatres and music halls as well as that of the performativeness and spectacularity of the city's everyday life. This articl

Název v anglickém jazyce

Here we are again, where pathos and pantomime meet - the theatrical city in Peter Ackroyd's Dan Leno and the Limehouse Golem

Popis výsledku anglicky

In his London novels, Peter Ackroyd creates a distinct and original fictional world with a number of idiosyncratic features, such as the city as a reflection of its dwellers' minds, the belief in the power of the genius loci, the concept of mystical timechallenging the traditional notion of temporal linearity, the focus on the dark sides and heterogeneous tendencies of the city, the theme of crime and criminality, the exploration of the city's irrational manifestations, and its literary, namely intertextual and palimpsestic, texture. However, one of the most significant defining aspects of Ackroyd's London is its essentially theatrical nature. Like many prominent literati and scholars in the past, and primarily Charles Dickens whom he acknowledges ashis predecessor and influence, Ackroyd notices and renders London's theatricality, both in the sense of a city of theatres and music halls as well as that of the performativeness and spectacularity of the city's everyday life. This articl

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

—

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2014

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Orbis Linguarum

ISSN

1426-7241

e-ISSN

—

Svazek periodika

40

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

PL - Polská republika

Počet stran výsledku

17

Strana od-do

513-529

Kód UT WoS článku

—

EID výsledku v databázi Scopus

—