London Confined: The Prison as a Setting and a Metaphor in Peter Ackroyd's London Works
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11410%2F12%3A10131809" target="_blank" >RIV/00216208:11410/12:10131809 - isvavai.cz</a>
Výsledek na webu
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DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
London Confined: The Prison as a Setting and a Metaphor in Peter Ackroyd's London Works
Popis výsledku v původním jazyce
The parallel between the prison and the city is almost as old as the penal institution itself. In the English literary tradition it is represented namely by London and its places of confinement - it goes back to the seventeenth century and has been rendered vivid and topical in numerous literary works ever since. Peter Ackroyd, one of the foremost contemporary British London writers, has always been interested in the unofficial history of the city, in its dark, obscure and otherwise irrational sides. One of these is the city's criminality and violence which, naturally, involves the theme of punishment. The aim of this article is to demonstrate the various ways in which Ackroyd makes use of the city-as-prison parallel both as a setting and a metaphor inhis selected London novels. Drawing on Michel Foucault's Discipline and Punish and Ackroyd's non-fictions London: The Biography and Albion: The Origins of the English Imagination, it offers a theoretical concept of the metaphor as well a
Název v anglickém jazyce
London Confined: The Prison as a Setting and a Metaphor in Peter Ackroyd's London Works
Popis výsledku anglicky
The parallel between the prison and the city is almost as old as the penal institution itself. In the English literary tradition it is represented namely by London and its places of confinement - it goes back to the seventeenth century and has been rendered vivid and topical in numerous literary works ever since. Peter Ackroyd, one of the foremost contemporary British London writers, has always been interested in the unofficial history of the city, in its dark, obscure and otherwise irrational sides. One of these is the city's criminality and violence which, naturally, involves the theme of punishment. The aim of this article is to demonstrate the various ways in which Ackroyd makes use of the city-as-prison parallel both as a setting and a metaphor inhis selected London novels. Drawing on Michel Foucault's Discipline and Punish and Ackroyd's non-fictions London: The Biography and Albion: The Origins of the English Imagination, it offers a theoretical concept of the metaphor as well a
Klasifikace
Druh
C - Kapitola v odborné knize
CEP obor
AL - Umění, architektura, kulturní dědictví
OECD FORD obor
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Návaznosti výsledku
Projekt
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Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2012
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název knihy nebo sborníku
Chronos - Logos - Topos v současném filologickém bádání
ISBN
978-80-246-2231-6
Počet stran výsledku
11
Strana od-do
143-153
Počet stran knihy
160
Název nakladatele
Univerzita Karlova v Praze - Nakladatelství Karolinum
Místo vydání
Praha
Kód UT WoS kapitoly
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