A Romance with Words: Graham Swift's Mothering Sunday as a "Coming-of-Voice" Novel
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11410%2F17%3A10369496" target="_blank" >RIV/00216208:11410/17:10369496 - isvavai.cz</a>
Výsledek na webu
—
DOI - Digital Object Identifier
—
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
A Romance with Words: Graham Swift's Mothering Sunday as a "Coming-of-Voice" Novel
Popis výsledku v původním jazyce
Although shorter than its predecessors, Mothering Sunday (2016), Graham Swift's latest novel to date, in a sense represents a noteworthy synthesis of its author's works of fiction. Using a close third-person narrative perspective, it confirms Swift's departure from first-person narrators which began in Wish You Were Here (2011). However, in terms of some of his idiosyncratic themes and narrative strategies, it more strongly follows his earlier novels, The Light of Day (2003) in particular. This article discusses Mothering Sunday's position within the body of Swift's novels and shows that by making the heroine a successful writer he more forcefully than ever before explores the theme of writing fiction. It also argues that the novel contains a significant degree of self-reflexivity as Swift projects in the story of its central protagonist his crucial ideas and beliefs concerning creative writing and its ethics.
Název v anglickém jazyce
A Romance with Words: Graham Swift's Mothering Sunday as a "Coming-of-Voice" Novel
Popis výsledku anglicky
Although shorter than its predecessors, Mothering Sunday (2016), Graham Swift's latest novel to date, in a sense represents a noteworthy synthesis of its author's works of fiction. Using a close third-person narrative perspective, it confirms Swift's departure from first-person narrators which began in Wish You Were Here (2011). However, in terms of some of his idiosyncratic themes and narrative strategies, it more strongly follows his earlier novels, The Light of Day (2003) in particular. This article discusses Mothering Sunday's position within the body of Swift's novels and shows that by making the heroine a successful writer he more forcefully than ever before explores the theme of writing fiction. It also argues that the novel contains a significant degree of self-reflexivity as Swift projects in the story of its central protagonist his crucial ideas and beliefs concerning creative writing and its ethics.
Klasifikace
Druh
J<sub>ost</sub> - Ostatní články v recenzovaných periodicích
CEP obor
—
OECD FORD obor
60205 - Literary theory
Návaznosti výsledku
Projekt
—
Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2017
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Ostrava Journal of English Philology
ISSN
1803-8174
e-ISSN
—
Svazek periodika
9
Číslo periodika v rámci svazku
2
Stát vydavatele periodika
CZ - Česká republika
Počet stran výsledku
16
Strana od-do
37-52
Kód UT WoS článku
—
EID výsledku v databázi Scopus
—