The Specters of the Unspoken Past - Trauma in Graham Swift's Wish You Were Here
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11410%2F16%3A10387862" target="_blank" >RIV/00216208:11410/16:10387862 - isvavai.cz</a>
Výsledek na webu
—
DOI - Digital Object Identifier
—
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
The Specters of the Unspoken Past - Trauma in Graham Swift's Wish You Were Here
Popis výsledku v původním jazyce
Graham Swift's ninth novel, Wish You Were Here (2011), assumes a specific position in the body of its author's work. After Tomorrow (2007), in Wish You Were Here Swift reverts to the tradition of his earlier works which all revolve around his idiosyncratic themes and motifs, such as personal and collective history, the relationship between the past and the present, loss, recovery and confession, coming to terms with a troublesome past and the role of memory in this process, the relationship between reality, history and fiction, the importance of telling stories, and the significance, but also inherent fragility, of intimate human relationships. The central device that most often triggers the exploration and contemplation of these thematic concerns is a traumatic experience in the past which the protagonist gradually strives to disclose and, by transforming it into a narrative, is able to cast some light on what may appear as unforeseen or unreasonable acts. Focusing on the treatment of trauma and its symptoms in Wish You Were Here, this article attempts to show how the novel both relates to Swift's preceding works and addresses this theme in a distinct manner.
Název v anglickém jazyce
The Specters of the Unspoken Past - Trauma in Graham Swift's Wish You Were Here
Popis výsledku anglicky
Graham Swift's ninth novel, Wish You Were Here (2011), assumes a specific position in the body of its author's work. After Tomorrow (2007), in Wish You Were Here Swift reverts to the tradition of his earlier works which all revolve around his idiosyncratic themes and motifs, such as personal and collective history, the relationship between the past and the present, loss, recovery and confession, coming to terms with a troublesome past and the role of memory in this process, the relationship between reality, history and fiction, the importance of telling stories, and the significance, but also inherent fragility, of intimate human relationships. The central device that most often triggers the exploration and contemplation of these thematic concerns is a traumatic experience in the past which the protagonist gradually strives to disclose and, by transforming it into a narrative, is able to cast some light on what may appear as unforeseen or unreasonable acts. Focusing on the treatment of trauma and its symptoms in Wish You Were Here, this article attempts to show how the novel both relates to Swift's preceding works and addresses this theme in a distinct manner.
Klasifikace
Druh
J<sub>ost</sub> - Ostatní články v recenzovaných periodicích
CEP obor
—
OECD FORD obor
60205 - Literary theory
Návaznosti výsledku
Projekt
—
Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2016
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Moravian Journal of Literature and Film
ISSN
1803-7720
e-ISSN
—
Svazek periodika
7
Číslo periodika v rámci svazku
1-2
Stát vydavatele periodika
CZ - Česká republika
Počet stran výsledku
18
Strana od-do
5-22
Kód UT WoS článku
—
EID výsledku v databázi Scopus
—