Sonic Imagination, or Film Sound as a Discursive Construct in Czech Culture of the Transitional Period

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F08%3A00024981" target="_blank" >RIV/00216224:14210/08:00024981 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Sonic Imagination, or Film Sound as a Discursive Construct in Czech Culture of the Transitional Period

Popis výsledku v původním jazyce

The profound transformations which cinema underwent during the period 1927-1934 on all levels were defined not only by technological development but also by the discourses (comprised of reviews, theories, advertisements, business decisions, patents etc.), practices (different ways of creation and consumption) and institutions (established media, arts, sciences, legislation, and other social and economic structures) surrounding it and inserting it into the world of everyday life. Cinema s prospect as itstood on the crossroads of alternative possible futures implied different modes of social use and meaning which differed significantly from the institution of silent cinema. In this article I propose a description of five groups of arguments and tropes structuring the film-sound related discourses present in the Czech culture of the late 1920s and early 1930s.

Název v anglickém jazyce

Sonic Imagination, or Film Sound as a Discursive Construct in Czech Culture of the Transitional Period

Popis výsledku anglicky

The profound transformations which cinema underwent during the period 1927-1934 on all levels were defined not only by technological development but also by the discourses (comprised of reviews, theories, advertisements, business decisions, patents etc.), practices (different ways of creation and consumption) and institutions (established media, arts, sciences, legislation, and other social and economic structures) surrounding it and inserting it into the world of everyday life. Cinema s prospect as itstood on the crossroads of alternative possible futures implied different modes of social use and meaning which differed significantly from the institution of silent cinema. In this article I propose a description of five groups of arguments and tropes structuring the film-sound related discourses present in the Czech culture of the late 1920s and early 1930s.

Druh

C - Kapitola v odborné knize

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

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Projekt

<a href="/cs/project/GP408%2F03%2FD174" target="_blank" >GP408/03/D174: Kulturněhistorické kontexty zavedení synchronního reprodukovaného zvuku v české kinematografii</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2008

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

MLVs Cinema and other media / Versioni multiple Cinema e altri media

ISBN

978-0-252-07532-2

Počet stran výsledku

17

Strana od-do

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Počet stran knihy

342

Název nakladatele

University of Illinois Press

Místo vydání

Chicago

Kód UT WoS kapitoly

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