?With mirth in Funerall, and with Dirge in Marriage?: Shakespeare and Early Modern Frivolous Drama
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F10%3A00049526" target="_blank" >RIV/00216224:14210/10:00049526 - isvavai.cz</a>
Výsledek na webu
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DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
?With mirth in Funerall, and with Dirge in Marriage?: Shakespeare and Early Modern Frivolous Drama
Popis výsledku v původním jazyce
John Dryden, in his Preface to his adaptation of Troilus and Cressida (1679), instructs that two different independent actions distract the attention and concernment of the audience, and consequently destroy the intention of the poet; if his business beto move terror and pity, and one of his actions he comical, the other tragical, the former will divert the people, and utterly make void his greater purpose. In this he voices French classicists anxious to secure as well as control the audience responsesin favour of an unambiguous generic refinement. Pre-classicist drama, not exempting Shakespeare, deals with modes and genres in a more playful and liberated way. Such generic and interpretive fuzziness has been called frivolité (in Ivo Osolsobě's semiotic analysis of French vaudevilles). Shakespearean drama ? at the most obvious level ? is frivolous in that it distracts a unified action by multiple plots.
Název v anglickém jazyce
?With mirth in Funerall, and with Dirge in Marriage?: Shakespeare and Early Modern Frivolous Drama
Popis výsledku anglicky
John Dryden, in his Preface to his adaptation of Troilus and Cressida (1679), instructs that two different independent actions distract the attention and concernment of the audience, and consequently destroy the intention of the poet; if his business beto move terror and pity, and one of his actions he comical, the other tragical, the former will divert the people, and utterly make void his greater purpose. In this he voices French classicists anxious to secure as well as control the audience responsesin favour of an unambiguous generic refinement. Pre-classicist drama, not exempting Shakespeare, deals with modes and genres in a more playful and liberated way. Such generic and interpretive fuzziness has been called frivolité (in Ivo Osolsobě's semiotic analysis of French vaudevilles). Shakespearean drama ? at the most obvious level ? is frivolous in that it distracts a unified action by multiple plots.
Klasifikace
Druh
O - Ostatní výsledky
CEP obor
AJ - Písemnictví, mas–media, audiovize
OECD FORD obor
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Návaznosti výsledku
Projekt
Výsledek vznikl pri realizaci vícero projektů. Více informací v záložce Projekty.
Návaznosti
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Ostatní
Rok uplatnění
2010
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů