Globalization of Film Production: US ?Runaways? in Prague and the Role of Film Producer

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F10%3A00050605" target="_blank" >RIV/00216224:14210/10:00050605 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Globalization of Film Production: US ?Runaways? in Prague and the Role of Film Producer

Popis výsledku v původním jazyce

To understand organizational culture of Prague film production and its changes after the end of the communist regime, the best focus seems to be on film producers and production managers. Film producer as a profession didn?t exist during the socialist era. Instead, semi-autonomous ?production units? worked within state-owned film studios with limited but secure budgets. Within the post-socialist production world of Prague, the profession of producer and production manager had to be created anew, mostlyby capturing knowledge from foreign productions. Foreign incoming producers became key human carriers of tacit, embedded organizational knowledge, which can be externalized during cultural clashes and internalized by direct observation and imitation on the set.

Název v anglickém jazyce

Globalization of Film Production: US ?Runaways? in Prague and the Role of Film Producer

Popis výsledku anglicky

To understand organizational culture of Prague film production and its changes after the end of the communist regime, the best focus seems to be on film producers and production managers. Film producer as a profession didn?t exist during the socialist era. Instead, semi-autonomous ?production units? worked within state-owned film studios with limited but secure budgets. Within the post-socialist production world of Prague, the profession of producer and production manager had to be created anew, mostlyby capturing knowledge from foreign productions. Foreign incoming producers became key human carriers of tacit, embedded organizational knowledge, which can be externalized during cultural clashes and internalized by direct observation and imitation on the set.

Druh

O - Ostatní výsledky

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

<a href="/cs/project/GAP409%2F10%2F1361" target="_blank" >GAP409/10/1361: Historie ateliérů na Barrandově z hlediska organizace a kultury filmové výroby</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2010

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů