Film Units as (Sub)producers: Possibilities of a ?House Style? in the State-socialist Mode of Production

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F13%3A00066692" target="_blank" >RIV/00216224:14210/13:00066692 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Film Units as (Sub)producers: Possibilities of a ?House Style? in the State-socialist Mode of Production

Popis výsledku v původním jazyce

This paper discusses conditions for group-based creativity and style in the state-socialist production system of the former Czechoslovakia. The paper pays particular attention to the manner in which day-to-day creative activities were managed within a system that designated the state the sole official producer, and to organizational solutions which were introduced in an effort to strike a balance between centralized control and creative freedom. I will draw on my previous work on what I call the "State-socialist Mode of Film Production"--which comprises management hierarchies, the division of labor, and work practices--through the example of the Czechoslovak cinema after 1954, when so-called film units were re-established as a part of a general decentralization of the rigid production system of the early 1950s.

Název v anglickém jazyce

Film Units as (Sub)producers: Possibilities of a ?House Style? in the State-socialist Mode of Production

Popis výsledku anglicky

This paper discusses conditions for group-based creativity and style in the state-socialist production system of the former Czechoslovakia. The paper pays particular attention to the manner in which day-to-day creative activities were managed within a system that designated the state the sole official producer, and to organizational solutions which were introduced in an effort to strike a balance between centralized control and creative freedom. I will draw on my previous work on what I call the "State-socialist Mode of Film Production"--which comprises management hierarchies, the division of labor, and work practices--through the example of the Czechoslovak cinema after 1954, when so-called film units were re-established as a part of a general decentralization of the rigid production system of the early 1950s.

Druh

O - Ostatní výsledky

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

<a href="/cs/project/GAP409%2F10%2F1361" target="_blank" >GAP409/10/1361: Historie ateliérů na Barrandově z hlediska organizace a kultury filmové výroby</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2013

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů