Between units and producers : organization of creative work in Czechoslovak State Cinema 1945-1990

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F12%3A00058329" target="_blank" >RIV/00216224:14210/12:00058329 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.ha.art.pl/wydawnictwo/katalog-ksiazek/2606-restart-zespolow-filmowych-pod-redakcja-marcina-adamczaka-piotra-mareckiego-i-marcina-malatynskiego.html" target="_blank" >http://www.ha.art.pl/wydawnictwo/katalog-ksiazek/2606-restart-zespolow-filmowych-pod-redakcja-marcina-adamczaka-piotra-mareckiego-i-marcina-malatynskiego.html</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Between units and producers : organization of creative work in Czechoslovak State Cinema 1945-1990

Popis výsledku v původním jazyce

So-called state-socialist mode of film production was in fact a peculiar hybrid of local, regional and global models: it was prepared by the Nazi cultural politics (the idea of centralized "dramaturgy" which enabled ideological control) and Aryanization(which made the post-war nationalization easier). After 1945 and later, after 1948 (when Communists took power in Czechoslovakia), it further developed according to local (Bata shoe factory, inspired by American scientific management) and global (Sovietsystem, silently inspired by Hollywood vertically integrated studios) models. These three levels of organizational tradition - both in terms of production mode and work culture - persisted as mutually interacting ingredients of the state monopoly until the late 1980s and even on. The aim of the paper is to articulate a comparative model for historical analysis of nationalized cinemas in the region, using the Barrandov studios in Prague as an example.

Název v anglickém jazyce

Between units and producers : organization of creative work in Czechoslovak State Cinema 1945-1990

Popis výsledku anglicky

So-called state-socialist mode of film production was in fact a peculiar hybrid of local, regional and global models: it was prepared by the Nazi cultural politics (the idea of centralized "dramaturgy" which enabled ideological control) and Aryanization(which made the post-war nationalization easier). After 1945 and later, after 1948 (when Communists took power in Czechoslovakia), it further developed according to local (Bata shoe factory, inspired by American scientific management) and global (Sovietsystem, silently inspired by Hollywood vertically integrated studios) models. These three levels of organizational tradition - both in terms of production mode and work culture - persisted as mutually interacting ingredients of the state monopoly until the late 1980s and even on. The aim of the paper is to articulate a comparative model for historical analysis of nationalized cinemas in the region, using the Barrandov studios in Prague as an example.

Druh

C - Kapitola v odborné knize

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

<a href="/cs/project/GAP409%2F10%2F1361" target="_blank" >GAP409/10/1361: Historie ateliérů na Barrandově z hlediska organizace a kultury filmové výroby</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2012

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Restart zespolów filmowych : Film Units : Restart

ISBN

9788362574735

Počet stran výsledku

42

Strana od-do

271-312

Počet stran knihy

366

Název nakladatele

Ha!art

Místo vydání

Kraków

Kód UT WoS kapitoly

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