Writing for the Red Screen: Screenwriters in the State-socialist Mode of Production in 1950's and 1960's Czechoslovakia

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F13%3A00066691" target="_blank" >RIV/00216224:14210/13:00066691 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.senatehouselibrary.ac.uk/2013/12/04/london-screenwriting-research-seminar-writing-for-the-red-screen-senate-house-51213/" target="_blank" >http://www.senatehouselibrary.ac.uk/2013/12/04/london-screenwriting-research-seminar-writing-for-the-red-screen-senate-house-51213/</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Writing for the Red Screen: Screenwriters in the State-socialist Mode of Production in 1950's and 1960's Czechoslovakia

Popis výsledku v původním jazyce

This talk will explore screenwriting practice in the state-socialist regime of former Czechoslovakia from a production-studies perspective, taking as an example the new-wave screenwriter and director Pavel Juráček and his mentor František (Frank) Danielto describe the structural position of screenwriter and institutional conditions for artistic innovation in that production system in the 1950s and 1960s. More generally, it will touch on the social and cultural logics of collaborative creative work under political influence. In terms of sources, it will discuss how empirical historical research in screenwriting can be undertaken by making sense of the vast screenplay collections and personal files in several Prague archives.

Název v anglickém jazyce

Writing for the Red Screen: Screenwriters in the State-socialist Mode of Production in 1950's and 1960's Czechoslovakia

Popis výsledku anglicky

This talk will explore screenwriting practice in the state-socialist regime of former Czechoslovakia from a production-studies perspective, taking as an example the new-wave screenwriter and director Pavel Juráček and his mentor František (Frank) Danielto describe the structural position of screenwriter and institutional conditions for artistic innovation in that production system in the 1950s and 1960s. More generally, it will touch on the social and cultural logics of collaborative creative work under political influence. In terms of sources, it will discuss how empirical historical research in screenwriting can be undertaken by making sense of the vast screenplay collections and personal files in several Prague archives.

Druh

O - Ostatní výsledky

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

<a href="/cs/project/GAP409%2F10%2F1361" target="_blank" >GAP409/10/1361: Historie ateliérů na Barrandově z hlediska organizace a kultury filmové výroby</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2013

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů