Cruising for a Bruising: Heterosexual Male-artists Creating Queer Art

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F13%3A00069226" target="_blank" >RIV/00216224:14210/13:00069226 - isvavai.cz</a>

Výsledek na webu

—

DOI - Digital Object Identifier

—

Jazyk výsledku

angličtina

Název v původním jazyce

Cruising for a Bruising: Heterosexual Male-artists Creating Queer Art

Popis výsledku v původním jazyce

Milos Jiranek (1875?1911) presented his painting Showers in the Sokol, Prague. The ?homoerotic scandal? aroused by this image was incredible and the painting was withdrawn from the show. Jiranek s friend, theorist and critic William Ritter, who was quiteopenly homosexual, was exited about the homoerotic reception. However, this interpretation was not intentional at all, Jiranek, as far as we know, was just an ignorant heterosexual man with no interest or influences with homoerotic or queer imagery. In1914, Czech poet, writer and collector Jiri Karasek ze Lvovic, who was an author of several openly queer novels and mentor of homosexual community in Prague, met Polish painter Wlastimil Hofman. As the documents say, happily married Hofman started to paint homoerotic paintings for Karasek s collection and they were shown mostly in Karasek s homosocial circle. Most of the contributors of drawings and reproductions in inter-war Czech queer magazine Hlas (Voice) were heterosexual as well, e

Název v anglickém jazyce

Cruising for a Bruising: Heterosexual Male-artists Creating Queer Art

Popis výsledku anglicky

Milos Jiranek (1875?1911) presented his painting Showers in the Sokol, Prague. The ?homoerotic scandal? aroused by this image was incredible and the painting was withdrawn from the show. Jiranek s friend, theorist and critic William Ritter, who was quiteopenly homosexual, was exited about the homoerotic reception. However, this interpretation was not intentional at all, Jiranek, as far as we know, was just an ignorant heterosexual man with no interest or influences with homoerotic or queer imagery. In1914, Czech poet, writer and collector Jiri Karasek ze Lvovic, who was an author of several openly queer novels and mentor of homosexual community in Prague, met Polish painter Wlastimil Hofman. As the documents say, happily married Hofman started to paint homoerotic paintings for Karasek s collection and they were shown mostly in Karasek s homosocial circle. Most of the contributors of drawings and reproductions in inter-war Czech queer magazine Hlas (Voice) were heterosexual as well, e

Druh

O - Ostatní výsledky

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

—

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2013

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů