Globalizing Low Labor: A Collective Ethnography

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F14%3A00074023" target="_blank" >RIV/00216224:14210/14:00074023 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Globalizing Low Labor: A Collective Ethnography

Popis výsledku v původním jazyce

The paper reconsiders theories of globalization of media production by focusing on mediation processes within global production networks. Transnational teams on "runaway" productions shot in Prague represent the highest-income end for the local production community; however, their Czech members have relatively low creative control, job security, and prospects of upward mobility. This paper is based on a project whereby more than 100 student interns--while working as assistants on film sets--were simultaneously conducting participant observation and keeping field diaries. In follow-up seminars, we worked together to identify key issues of transnational production cultures: tensions between different nationalities, knowledge transfer, distributed creativity, etc. Such collective ethnography challenges traditional concepts of fieldwork and allows for valorizing "provincial" and multi-focal articulations of the production culture.

Název v anglickém jazyce

Globalizing Low Labor: A Collective Ethnography

Popis výsledku anglicky

The paper reconsiders theories of globalization of media production by focusing on mediation processes within global production networks. Transnational teams on "runaway" productions shot in Prague represent the highest-income end for the local production community; however, their Czech members have relatively low creative control, job security, and prospects of upward mobility. This paper is based on a project whereby more than 100 student interns--while working as assistants on film sets--were simultaneously conducting participant observation and keeping field diaries. In follow-up seminars, we worked together to identify key issues of transnational production cultures: tensions between different nationalities, knowledge transfer, distributed creativity, etc. Such collective ethnography challenges traditional concepts of fieldwork and allows for valorizing "provincial" and multi-focal articulations of the production culture.

Druh

O - Ostatní výsledky

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

<a href="/cs/project/GAP409%2F10%2F1361" target="_blank" >GAP409/10/1361: Historie ateliérů na Barrandově z hlediska organizace a kultury filmové výroby</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)<br>S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2014

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů