Visual Language of Safavid and Ottoman Ceremonies and Feasts Depictions in the 16th-Century Miniature Painting: Reformulating Proportions between Figures and Architecture

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F14%3A00077060" target="_blank" >RIV/00216224:14210/14:00077060 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Visual Language of Safavid and Ottoman Ceremonies and Feasts Depictions in the 16th-Century Miniature Painting: Reformulating Proportions between Figures and Architecture

Popis výsledku v původním jazyce

With respect to illustrations of ceremonies and feasts in the Safavid and Ottoman traditions, the theme includes particular features - especially the accentuation of the ruler, which within the actual event results from the presence of attending onlookers, these reflecting both the representation of a royal subject and the performance of ceremony. Even though this basic feature is shared by Safavid and autonomous Ottoman painting, the visual language of each relates to a distinct treatment of the theme.The Safavid painters follow the Persian miniature tradition accentuating architectural structures without any radical adaptation of the visual language to the particulars of theme. The accentuation of figures seems to be in contraposition to the traditional dominance of architecture, which establishes an adjacent ornamental structure within the painting.

Název v anglickém jazyce

Visual Language of Safavid and Ottoman Ceremonies and Feasts Depictions in the 16th-Century Miniature Painting: Reformulating Proportions between Figures and Architecture

Popis výsledku anglicky

With respect to illustrations of ceremonies and feasts in the Safavid and Ottoman traditions, the theme includes particular features - especially the accentuation of the ruler, which within the actual event results from the presence of attending onlookers, these reflecting both the representation of a royal subject and the performance of ceremony. Even though this basic feature is shared by Safavid and autonomous Ottoman painting, the visual language of each relates to a distinct treatment of the theme.The Safavid painters follow the Persian miniature tradition accentuating architectural structures without any radical adaptation of the visual language to the particulars of theme. The accentuation of figures seems to be in contraposition to the traditional dominance of architecture, which establishes an adjacent ornamental structure within the painting.

Druh

D - Stať ve sborníku

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2014

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název statě ve sborníku

Art History Studies: Art & Society

ISBN

9786055120863

ISSN

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e-ISSN

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Počet stran výsledku

14

Strana od-do

90-103

Název nakladatele

DAKAM Publishing

Místo vydání

Istanbul

Místo konání akce

Istanbul

Datum konání akce

23. 10. 2014

Typ akce podle státní příslušnosti

WRD - Celosvětová akce

Kód UT WoS článku

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