Inner Structuring of Fantastic Literature by the Function of the Fantastic Element

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F15%3A00082611" target="_blank" >RIV/00216224:14210/15:00082611 - isvavai.cz</a>

Nalezeny alternativní kódy

RIV/00216224:14210/15:00082967

Výsledek na webu

<a href="http://www.fantastic-arts.org/annual-conference/next-2/" target="_blank" >http://www.fantastic-arts.org/annual-conference/next-2/</a>

DOI - Digital Object Identifier

—

Jazyk výsledku

angličtina

Název v původním jazyce

Inner Structuring of Fantastic Literature by the Function of the Fantastic Element

Popis výsledku v původním jazyce

I would like to introduce a concept of inner structuring of fantastic literature I am currently working on. Its purpose is to provide an alternative mode of relating fantastic works to each other for the sake of analysis, not to create a fixed taxonomy.Generally, we can distinguish two basic categories within fantastic literature: The pure fantastic is focused on a fantastic element (a fantastic change, world, event etc.), thus the fantastic element functions as the core of the text. In the fantastic as a mean of expression, the fantastic element serves as a platform for creating a story or as a tool of an allegory or a symbol. In terms of extratextual factors, pure fantastic is usually connected with a fantastic community, whereas authors using the fantastic as a mean of expression tend to be from different cultural backgrounds and relate to the fandom very loosely or not at all (refusal of any affiliation to it is not exceptional).

Název v anglickém jazyce

Inner Structuring of Fantastic Literature by the Function of the Fantastic Element

Popis výsledku anglicky

I would like to introduce a concept of inner structuring of fantastic literature I am currently working on. Its purpose is to provide an alternative mode of relating fantastic works to each other for the sake of analysis, not to create a fixed taxonomy.Generally, we can distinguish two basic categories within fantastic literature: The pure fantastic is focused on a fantastic element (a fantastic change, world, event etc.), thus the fantastic element functions as the core of the text. In the fantastic as a mean of expression, the fantastic element serves as a platform for creating a story or as a tool of an allegory or a symbol. In terms of extratextual factors, pure fantastic is usually connected with a fantastic community, whereas authors using the fantastic as a mean of expression tend to be from different cultural backgrounds and relate to the fandom very loosely or not at all (refusal of any affiliation to it is not exceptional).

Druh

O - Ostatní výsledky

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

—

Projekt

<a href="/cs/project/EE2.3.30.0037" target="_blank" >EE2.3.30.0037: Zaměstnáním nejlepších mladých vědců k rozvoji mezinárodní spolupráce</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2015

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů